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Interview

Interview with Danny Stygion

July 9, 2018 By slave_bunny 3 Comments

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Can you tell us a little about your background, how you got started in being involved in this community, and about your current work within the community?

Danny Stygion: When I was 16, I watched a documentary on HBO called “Fetishes” in 1996. The documentary was about professional dominatrices at the New York Dungeon, Pandora’s Box. It opened my eyes to a hidden world of BDSM and fetishism. Around the same time, I came across Bettie Page, Dita Von Teese, and Marquis Magazine. I’ve always been drawn to the sight of a beautiful woman in nylons. That was my first fetish.

In 2002, I started doing photo shoots and producing events. The 2nd fetish ball I co-produced featured Dita Von Teese as our headliner. This was a couple months after she had just been on the cover of Playboy Magazine. In 2010, I co-founded Sinical Magazine (along with Jack Mallein and M. Porcine), which focuses on elegant fetish and dark pin-up photography.

What is your overall mission in relation to the Kink/BDSM community? How do your two magazines, subspace and Sinical Magazine, help to accomplish this?

Danny Stygion: My goal with Sinical Magazine was to present fetishism with elegance. The magazine grew slowly, but we’ve now featured many of the most recognizable fetish models, burlesque performers, and photographers, such as Dita Von Teese, Masuimi Max, Bianca Beauchamp, Steve Diet Goedde, and Chas Ray Krider, among others. subspace Magazine was launched several years later, and focuses on professional Dominatrices and the BDSM community. We’ve built up a decent network, and we produce two social gatherings/fetish balls a year, which gives our readers an opportunity to meet and network with like-minded people in a safe environment and enjoy performances. We are working towards producing a monthly private and members-only fetish/BDSM gathering as well.

What can one expect to find in each issue?

Danny Stygion: The magazines feature 4-6 exclusive and high-quality photosets with interviews with fetish models, burlesque performers, and dominatrices. We used to have more articles and fiction pieces, but it’s hard to keep consistent writers. I shoot a lot of the content myself, and Angela Ryan helps stylize a lot of the covers.

What is the most challenging aspect of your job? What is the most fulfilling?

Danny Stygion: Staying on schedule with people missing deadlines or not turning in quality content. Dominatrix sponsors changing their mind about their career path before the release of an issue.

The most fulfilling aspect is developing the network and reach of the magazine. Also, making an up and coming adult model, photographer, or dominatrix happy when we feature them.

What type of content do you feature?

Danny Stygion: Dark pinup/fetish imagery set against elegant locations or backdrops with moody/interesting lighting schemes. Stylized makeup and wardrobe, and fetish clothing focused on: nylons, corsets, latex, leather, etc. No cheesecake pin-up style photography. subspace Magazine focuses on the same, but has more Dungeon-type settings with interviews that promote Dominatrices, and articles that cover fetish/BDSM events.

How did your magazines get their start?

Danny Stygion: I researched magazine graphic design and self-publishing for several months before starting and launching the 1st issue of Sinical Magazine. The website was registered in November 2010. Print-on-demand services made it easier to publish magazines on your own, instead of having to spend thousands printing in bulk. Many magazines I’ve enjoyed and admired have disappeared from bookstore shelves, so I’ve been focusing on virtual distribution, e-mail marketing, and social media. I believe it is the way of the future for niche magazines.

How does one go about being featured in your magazine? How does one go about ordering your magazine?

Danny Stygion: We have submission information on our websites: www.sinicalmagazine.com and www.subspacemag.com. The images need to be unpublished. I rarely request a person to be in the magazine now. We receive enough submissions, and I shoot a lot of the content myself. People can order the magazines from our websites.

Are you a lifestyler as well? If so, how does this impact and/or benefit your professional work within the community?

Danny Stygion: I was married for ten years, and after my divorce in 2016, I started actively exploring BDSM and fetishism with various women in my private life. Post-divorce, I’ve consensually played with nine different women at Dungeon locations, hotel rooms, and even a graveyard once. I tried to have a personal D/s relationship with one woman, but it didn’t work out due to lack of communication and incompatibility. I did learn a lot from that experience, and I’ve had much better experiences since then. I’ve very busy, so I choose to explore kink in my private life when I have free time, as opposed to dating someone.  

Can you elaborate on your photography, filmmaking, and publishing endeavors? Do you have any new projects you are currently working on?

Danny Stygion: I don’t do many trade shoots anymore unless it’s someone I really want to photograph for the magazine. I’m mainly hired by professional dominatrices to shoot their ads, and by up and coming models and burlesque performers. I shot a short film in early 2017 called “Solitaire”. My goal is to shoot another short film this Summer. I’m currently deeply involved in the co-production of the 8th Anniversary Ball for Sinical Magazine, which will be held in Houston. It is the biggest production I’ve been involved with. I would like to see the Sinical events develop into a multi-day event with workshops, play parties, and a ball. We are headed in that direction. I work with 3-4 other partners on these events: C. Baulch, J. Short, M. Porcine, and J. Mallein.

In your opinion, what is the best way to hone your craft?

Danny Stygion: To keep shooting and learning new lighting techniques. Keep an open mind. I’ve been shooting for 15 years, and I’m still learning. Editing a magazine and seeing submissions all the time has definitely helped me in knowing what makes a photo great, and being able to interview my role models about their techniques also helps a lot.

Do you have any advice for those that are new to the community?

Danny Stygion: If you are a model or photographer, I suggest you do some research and work with quality people, and consistently submit your work and develop a good portfolio. If you are exploring BDSM, there are events and gatherings in each city. That is one way to start.

What would you say is the biggest challenge the community faces at the moment? What can/should be done about this? How does/can your work help to remedy this?

Danny Stygion: FOSTA/SESTA has affected a lot of people in our community, and I believe it was safer for people when they had advertising avenues that had screening processes. It has affected the livelihood of many friends of mine who are professional dominatrices, and  it has led to ridiculous censorship, such as hashtags like #lingerie and #stripper being banned from Instagram, for example. I try to do what I can with Sinical and subspace social media platforms, email newsletters, and magazines to help promote the people who support our mission.

Any closing thoughts?

Danny Stygion: I’ve poured what I’ve learned about producing magazines into an e-book guide called How to Create and Sell a Digital Magazine. I released this guide on Friday, June 15th.

Sinical Ball VIII will be held in Houston at the Westchase Hilton Hotel Ballroom on Saturday, Sept. 22nd, 2018, and will feature fetish and burlesque performances by Masuimi Max, Kimber Fox, Sabra JohnSin, and Mistress Genevieve. We will also have over a dozen guest dominatrices, workshops, a play party hosted by The Vault Dungeon, vendors, photo gallery, live body painting, and more. It will be a fun event and a night to remember.  


About Danny Stygion

Danny Stygion (born March 21, 1980) is a photographer, magazine publisher,
filmmaker, and podcaster. He is the co-founder and editor of Sinical
Magazine, established in November 2010. Sinical Magazine focuses on
alternative culture and fetish fashion and has featured the world’s top
alternative models such as Dita Von Teese, Masuimi Max, and Bianca
Beauchamp. The Sinical Magazine Podcast was founded in 2015.

In 2013, subspace Magazine was launched, focusing on professional
Dominatrices and BDSM.

In 2015-2016, he produced a series of magazine issues for NightCulture,
Inc., a producer of live electronic music events.

In late 2016, he co-founded an independent film and video production
company called LP-1126 Productions.

www.stygion.com
www.sinicalmagazine.com
www.subspacemag.com

 

Tagged With: Danny Stygion, femdom, Sinical Magazine, slave bunny, subspace magazine

Interview with Michelle from the Pleasure Chest

July 2, 2018 By slave_bunny 3 Comments

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Can you tell us a little about how the Pleasure Chest got its start?

The Pleasure Chest started in 1971 in New York, at the height of the sexual revolution. Founders Duane Colglazier and Bill Rifkin started out selling waterbeds, but found unexpected success in selling erotic novelties like mood lighting, cock rings, and handcuffs. They decided to turn the store into a full-fledged sex shop.

The company’s first location in the West Village in 1971, challenged convention by refusing to block out the store windows with XXX, which was standard for any store with adult material. Its founders aimed to create a department store feel. This simple principle continues to guide and set the Pleasure Chest apart today, now under the leadership of Duane’s nephew Brian Robinson.

What is your job title for the Pleasure Chest? How did you begin working there? What is your background concerning the Adult/Fetish Industry?

Currently I am a Sex Specialist and Sex Educator. The road here starts with me (as a Theater Education major at the University of Puerto Rico: Rio Piedras) putting myself through college working in the adult industry as an exotic dancer and nude model. About three years later, I moved to Miami and eventually transitioned into doing burlesque and teaching pole dance fitness. Upon relocating to California five years ago, I returned to stripping after a break up that left me broke and almost homeless. A burlesque performer I was dating at the time suggested I apply at The Pleasure Chest since I was looking for something with more regular hours. I interviewed and got the job, knowing that becoming a Sex Educator was my primary goal.

What do you love the most about working there?

I love having the opportunity to help people find the tools they need to better love themselves and each other. I love empowering people to feel comfortable in their sexual experimentation, exploration, and expression of themselves. Redirecting sex negatives attitudes and teaching people about consent is very rewarding for me as well.

In your opinion, what would you say are the company’s core values?

Sex positivity, pleasure based sex education, inclusivity, and adaptability.

What is the Pleasure Chest’s overall mission? How does the company go about accomplishing this?

To provide a non-judgmental, safe space where individuals are free to explore lifestyle products that will enrich their sex lives, regardless of spending capacity. We do this by hiring folks that are not only personally invested in their community, but are also actively a part of it, by carrying a wide range of products from low to high price points (which allows us to maintain accessibility to every demographic), and by offering free sex positive, pleasure-based, workshops and events to support and build up the community.

What is unique about your company and store? What do you feel customers can gain/experience uniquely there?

I believe the level of training we receive first and foremost sets us apart from other adult retailers in this industry. Not only from vendors, but from social justice groups as well. As the language around sexuality and gender has evolved, we have had diversity trainings to better serve all facets of the LGBTQ Community. We make a conscious choice to use gender neutral language, whether it is on the sales floor or in our classes. At the LA location, the team is really more like a family. With this being said, customers are met with friendly, compassionate, and knowledgeable staff. We hear them out, we laugh together, sometimes we cry together. We make sure they leave with what they need, knowing how it is used as well as how to clean and care for their product. They get a curated experience that you won’t find in many other stores or online.

Can you elaborate more on your events and classes that you have at your store? How do they help achieve the company’s overall goals?

For our sex education programming, we try to have a decent amount of variety of topics and instructors while still maintaining staples like Suck It, Live It, Love It (an oral sex class for everyone) and Butt Sex Basics as a regular part of our repertoire. Classes are a great way for people to experience a different facet of the store while they are learning something new or expanding on what they already know. Our workshops are always free, and if customers fill out a feedback form we offer them a 15% discount after the class. They get to buy a product(s) that they might have seen featured in the class at an accessible price, and we learn how to make our workshops an even better experience every time.

We also do community building events like “Performance Anxiety,” which is our comedy night, and Cirque Sexualle, a bi-monthly free burlesque show that showcases POC performers. These events all help the Pleasure Chest to achieve its goal of being more than just another adult retailer. We want to be a hub for the community as well, and a safe place to gather, learn, laugh and get turned on in ways that we aren’t typically privileged to in our usual lives.  

What types of products do you sell? What companies in your opinion are the best?

Literally everything! Novelties, lingerie, lubricant, massage oils, personal care items, condoms, books, dvds, couples toys, vibrators, dildos, harnesses, anal toys, masturbation sleeves, cock rings, kink implements, electro-play devices. I mean, it’s endless. In my opinion, companies that focus on sustainability and ethical production practices without sacrificing the quality of their product are best to me. In my book, that happens to be Fun Factory. All their products are made by hand in Germany where they employ locals who are unionized, are paid a living wage, and have healthcare. They don’t use any harmful chemicals in the production of their devices, or the devices themselves or the packaging. So, their environmental impact is neutral. That is a major turn on for me.

What do you feel the community at large faces right now? How can/does the Pleasure Chest try to help with this?

I think the greatest challenge the adult industry and sex worker community faces is dealing with the ramifications of our government creating regulations like FOSTA/SESTA, which only builds stigma around the sex worker industry, and makes it more difficult for sex workers to survive, rather than “prevent sex trafficking” as it claims to. Framing sex work as real work and supporting sex workers is something that the Pleasure Chest has always maintained a firm position on.

In your opinion, what is the best way to safely explore your fetishes?

Do your research. Read books, both instructional and erotic fiction to get a well- rounded perspective of what the expression of this fetish can look like. Identify what aspects of its expression resonate with you-what turns you on? Try things by yourself first so you don’t have to worry about what you look like in front of someone else. Once you get a good idea of what a ‘scene’ looks like for you, discuss with a partner, negotiate desires and boundaries, and above all else have fun! Give yourself permission to laugh and enjoy playing in new ways, it doesn’t have to be super serious.

In what ways can the Pleasure Chest help with sexual exploration?

I think this is where our workshops really come into play. We take topics from oral sex to g-spotting, to advanced anal, fisting, bondage and impact play, and present them in a way that is very digestible for folks still trying to decide whether or not they are into it. By demystifying and destigmatizing the different ways in which human beings can experience pleasure, we help take away people’s’ fear and shame around the experience of exploration by making it lighthearted and enjoyable.

How is the Pleasure Chest specifically tied to the Kink Community? Do you feel that most of your customers are kinky in some way?

In its early days, a huge part of the Pleasure Chest customer base were those of the gay leather community, and later the store became well known for its yearly “Glory Hole” parties. As time has gone by and BDSM has become more mainstream via mediums like the “Fifty Shades” series, our role has shifted in terms of facilitating conversations around what healthy D/s relationships and consent actually are versus what is presented in the media. One thing I have learned from these conversations is that “kinky” is a sliding goalpost. For some people blindfolds are kinky, whereas for more experienced folks it might not be. For some people, just the act of wearing a condom or doing it doggy style can be kinky. Our job is not to decide what is kinky or what isn’t -because it is truly unique to the individual. Our job is to be a resource people can turn to for receiving the tools and information about how to go about their kink in the most satisfying and safe way.

What does the Pleasure Chest want to offer in the future?

A major priority for us is having an even greater supportive presence in the LGBTQ and POC communities in the outreach that we do. We want to make ourselves accessible to those who face the greatest marginalization because of their sexual/gender expression. I think we understand that we have a responsibility, especially to this younger generation that is growing up during the #MeToo movement, to not only educate, but also lead by example in actively pushing back against the perpetuation of the sex negative, toxic masculine, rape culture.

What current projects is the company working on?

Most recently, we have started becoming more accommodating to our 420 friendly customer base. The legalization of cannabis for recreational purposes has created a unique opportunity for crossover into the adult erotic lifestyle product world. The way that we are responding to this growing trend is by exploring the varieties of quality hemp based products to carry as well as expanding our smoke shop section. I believe the integration of cannabis and the adult retail business is a great opportunity for evolution within the industry.

Any closing words?

I believe that the human body is an incredible biological miracle, and the possibilities for human sexual expression are as infinite as all the people that have ever existed, and will continue to exist as long as we inhabit this planet. Therefore, I believe it to be imperative that we never lose our curiosity towards exploring and unlocking all the many ways our bodies are capable of experiencing pleasure-ways we may have never imagined before, until maybe seeing a movie, or reading a book, having a conversation, or stepping inside the Pleasure Chest.


About Michelle LaBelle

Besides being a 10 year veteran to the burlesque and Cosplay Community, Michelle LaBelle has also used her voice as an activist to create greater visibility for the Bisexual Community. In addition to being a dancer, actress, singer and writer, this proud Puerto Rican native works as a sex positive sex educator, empowering individuals to seek out their most fulfilling sex lives through consent and pleasure-based education.
IG: @themichellelabelle
Twitter: @TheMLaBelle
http://www.facebook.com/michellelabelle86
IG: @pleasurecheststores
www.pleasurechest.com

 

 

Tagged With: bdsm, Kink Community, LGBTQ, play, sex, sex positivity, sex shop, sex toys, sexual expression, sexual freedom, slave bunny, The Pleasure Chest

Ernest Greene and Nina Hartley Interview on The Truth About O

April 30, 2018 By slave_bunny 15 Comments

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Slave Bunny: Can you tell us in your own words what the piece is about?

 

Ernest: What you’re seeing here is a segment of a new book I’m writing, working title, The Truth About O, that is a collection of both personal experiences with the individuals involved and recollections of those who were members of one of Europe’s actual existing societies of O. My contact there and a number of other people I spoke to subsequently confirmed that there are about 50 such societies of O scattered all over Europe. Many of them, most especially the one in France, have been there for a very long time. So, the actual lead here is that “Story of O” really is more fact than fiction and its practices live on today.

 

Slave Bunny: So, you’re saying these societies still exist today all over Europe?

 

Nina: Oh, yes. Very active.

 

Ernest: Extremely so.  

 

Nina: They hold regular soirees.

 

Slave Bunny: Can you tell us more about the O’s?

 

Ernest: Those who identify as O’s don’t consider themselves slaves by our definition and standards.They have their own, what they call “The Philosophy,” as described in the original “Story of O.” The emphasis is on constant sexual availability. The initiation of a new O and the events leading up to it are considered fairly typical for these groups. One of the most startling things about reading this material was how different what they think of as normal is from what we think of as normal when it comes to BDSM.

 

Ernest : The excerpt that you have is translated virtually untouched from the German original. Sabrina turned out to be an extraordinary writer. Her accounts required very little editing. What you have is first-person testimony from somebody who has great credibility and was actually present at the events she describes.

 

Nina: She had to go through the ritual herself. Every woman did who became an O. The initiation of Cora stands in for the initiation of every woman who becomes an O. Later on we see how they’re trained for the occasion.

 

Slave Bunny: Did the O’s live at “The Castle” full time? I know Cora had a husband. Is it specific to whatever is negotiated?

 

Ernest: As I understand it, there are a few who do more or less live in the luxurious quarters maintained by these groups, but most of them don’t. The majority attends parties and has sessions with men who they regard as their Owners, but lead otherwise conventional lives. Often they are married, as was Cora, to somebody else who has no idea that they have this life. Europe is one of those places where you can still have a secret life.

 

Ernest: These are all people of a class that are privileged in ways Americans would find hard to imagine. For instance, I’m quite certain the authorities are aware of the existence of these groups and who’s in them, but wouldn’t dream of interfering in any way precisely because of who’s in them. It seems that most of the men are wealthy and well connected. Some of them are politicians. Some of them are financiers.

 

Nina: Some of them are captains of industry.

 

Ernest : Big shots of one kind or another. The women are pretty much of the same class.

 

Nina:  What’s also fascinating is that unlike American BDSM, where there’s often a romantic component between the submissive partner and the dominant partner, in these societies, it is discouraged to be in love with your Owner.

 

Ernest:  Or even to get seriously involved with anyone else who’s there.

 

Nina: And the women are not encouraged to make friendships. The other women’s problems are strictly their own problems.

 

Ernest: There’s also a competitive aspect to life at court. There are some distinct advantages that women who are willing to sign on for this program enjoy because these wealthy, well-connected men, in part, give something in return for what they get in terms of helping these women with their careers and introducing them to places where they might be able to work things to their advantage. It is a sort of sexual feudalism under which the women agree to obey and endure and service whatever desires these gentlemen may have.

 

Nina: And enjoy it. They are supposed to enjoy it. An O is a kind of masochistic courtesan or geisha who needs to bring a certain passion and creativity to keep the Masters entertained and interested. Safe to say that, aside from a little play among the girls, it’s a totally hetero-normative dynamic that harks back to an earlier era. Europe has a public BDSM scene not much different from our own, but it’s mainly for young people and doesn’t overlap with the O crowd.

 

Ernest: Most of the women seem to take pleasure in the game because so many of them have been involved in it for a very long time. In return for what they surrender their men are obligated in that feudal way to see to their welfare, to protect them and to take care of them in any way they can be helpful to them. This arrangement is pretty religiously observed on both sides. It’s a serious matter for either side to fail to perform on the expected feudal arrangement. Guys can get kicked out. Women can get kicked out. Anyone can get kicked out. Also, the O’s have a safeword that they were given when they were initiated. However, they can only use it once. If they do, they’re expelled from the society. But what kind of safeword is that really? Is that consent as we understand it?

 

Slave Bunny: No.

 

Ernest: Contrary to what Americans may believe, Sabrina states in her description (and all other women whom we corresponded with agreed) that they were there by consent, that they could leave any time, and that they wouldn’t be there if they didn’t want to be. So, it’s a sort of blanket consent until withdrawn. Once withdrawn, it’s withdrawn permanently.

 

Nina: One hundred percent. Instantly. Your clothes are put on. You’re put in the car. You leave and that’s it.

 

Ernest: And you can never come back nor will you be welcome in any of the other O societies.

 

Nina: It’s their version of consent, which differs greatly with how Americans conceive of consent.

 

Ernest: These are very exclusive groups. You can only join by invitation and they only take in members of their own class. Alexander, in the book, describes what’s required for either a man or a woman to become a member of any of these groups. It’s a fairly rigorous process. They have multiple meetings with prospects and then there’s a board that votes, like a country club, whether or not you and/or your partner will be welcomed.

 

Ernest: And if so, you can look forward to spending a lot of money. One way in which potential members are admitted is on the basis of whether they can afford it. The last figures that were quoted to us from Alexander were something along the lines of 15,000 Euro to get in and another 5,000 Euro a year to stay in plus any expenses accumulated if you want to say, throw a party for yourself or have some kind of an event or a session. That’s all ala carte.  It’s not unusual for men who are eager participants in these things to spend 100,000 Euro a year on their “hobby.”

 

Slave Bunny: It’s like a BDSM fraternity or sorority almost.

 

Nina: Yes, exactly.

 

Slave Bunny: Was this society supposed to be kept very secret and under the radar?

 

Ernest: Absolutely. Again, I’m quite certain that the local authorities in all of these locations were and are very much aware of the existence of these groups and their activities. They’ve also always been aware that these groups are managed by and for a class still more or less untouchable in that part of the world.

 

Ernest: These guys seem to have some understanding of where the edge is that you don’t go over. They go right to that edge, but don’t go where you really would get in trouble. But they do some things that are pretty daring.

 

Slave Bunny: Like what?

 

Ernest:  Paradoxically, they seem to love doing things in public places. When they take their O’s out in public, they’re basically dressed in almost nothing.

 

Nina: They’re barely legal. No underwear.

 

Ernest: Everything transparent. And when they go to a restaurant for dinner, they play games requiring the women to unbutton their blouses and lean over when the waiter comes and other stuff of that kind. In The League they liked to send one of the O’s into the men’s restroom in a nice restaurant with orders to strip naked and give a blowjob to the first man who knocks on the door of the stall, no matter who he is. This became a great favorite.

 

Ernest: They all got a kick out of it. The men would choose someone from the restaurant. Generally someone they either knew personally or was a friend of a friend they were having dinner with and say, “By the way, when you go to the restroom, check out the last stall. You’ll get a big surprise.”  

 

Nina: When I visited Alexander in London I intended to try that out. I dressed for the occasion just as he’d instructed by email, which is to say in as little as possible. But after dinner we ended up in his hotel room having fun of our own. I don’t know if that makes me a good O or a bad one, but we thoroughly enjoyed ourselves. Alexander is quite charming and we both had a great time, but it’s a lot different being an O for a day and living “The Philosophy”.

 

Ernest: And not all their games were so benign and playful. There also is a reference in the excerpt about organized hunts. There were women in these groups who had done three or four hunts and lost them all. They had to assume after the second or third loss that they were never going to win.

 

Slave Bunny: But they liked it so they kept up with it.

 

Nina: Exactly.

 

Ernest: These people’s idea of fun is a little rougher than ours.

 

Slave Bunny: Could you further explain these hunts that are mentioned in the excerpt?

 

Ernest: Sure. A society holds a hunt in the woods of Romania where one of the O’s is turned loose naked in the forest. This is not a thing that can be required. The O has to volunteer for it.

 

Nina: And whomever has volunteered for the hunt gets a map and a head start and nothing else.

 

Ernest: If she makes it to a safe zone where there’s a vehicle waiting for her, she gets 10,000 Euro, which actually isn’t a whole lot of money for most of these women. I don’t think that was really the main motivation. That’s just the prize if she manages to elude the entire male compliment of that organization hunting her in the forest.

 

Ernest: If the hunters get to her before she reaches her safe zone they have her for 24 hours to do anything they want with her. We’ve seen photographs of some of the losing contestants that would be pretty shocking even to those familiar with edge play and CNC.

 

Nina: Everything is permitted short of permanent damage.    

 

Ernest: I would consider O’s in general more on the masochistic scale than submissive. Though their sexual services can be commanded at any time and there are elaborate rules concerning dress and deportment, their attitudes and responses are expected to be spontaneous and authentic.

 

Nina: They can talk back. They can be cheeky. They have to comply with most physical demands, but they tend to have strong personalities and their own opinions on things. They risk punishment for insubordination, but from all the punishment that goes on I infer that insubordination is pretty common.

 

Slave Bunny: So, the Owners didn’t try to train them into somebody else or strip them of who they were as long as they were performing their services?

 

Ernest: Right.  

 

Slave Bunny: What do you feel, I know you touched on it a little bit earlier when you were talking about sexual feudalism, is the main allure for women wanting to join these societies?  

 

Nina: For some of the women it was boredom.

 

Ernest: There was a measure of adventurism in this also.

 

Nina: And there’s that masochism thing. In the novel, the whole idea of physical pleasure from extreme sensations was dismissed. But every one of the women we came to know got wet at the thought of a whipping. And I definitely related to the protected exhibitionism thing. That’s another aspect of class privilege. Alexander put me on display in that London restaurant that would have gotten me arrested here. This definitely put me in the mood for what happened upstairs after dinner.

 

Ernest: O’s overall seem pretty ambitious and daring. The word they use most frequently for the ordeals they’re put through is “challenges.” And connections of the men certainly further the ambitions of the women both in the groups and in the outside world.

 

Ernest: To be fair, there are also genuinely committed Master/slave couples admitted as well. For some of them it’s a combination of role-play and a kinky form of swinging. Others take “The Philosophy” very seriously.

 

Nina: They have piercings, tattoos and fresh marks to show off at any time or place. I found it very unusual that women who were mostly conventionally attractive didn’t mind having a few lasting scars as trophies of their wild good times.

 

Ernest: There were couples in these groups and then there were others who were genuinely emotionally attached and others who were couples of convenience.

 

Slave Bunny: What do you find most fascinating about all of this?

 

Ernest: It’s really an extraordinary story for a lot of reasons. Not the least of which is that it establishes a lineage for the O narrative that precedes the actual book. It’s also a visit to an alternate universe familiar in many ways but crucially different in others.

 

Slave Bunny: Around what year did the events in the book take place?

 

Nina: Well past 2000, certainly.

 

Ernest: All events in our book happened in the last 15 years. However, returning to the key things here, what we see now quite clearly is that Pauline Reage’s book was based on something real. The societies existed long before her writing. My best guess is at least a century, based on the fact that Sir Franklin, who was the head of the group and in his sixties at the time of the events in The Truth About O, was the son of a Master and an O. So, going back even one generation puts the existence of The League in the late 19th century. My best guess is that various “libertinage societies” such as The Hellfire Club go back to the 18th Century. The fact that Story of O describes something that actually exists and has for so long, despite the author’s insistence that she wrote pure fiction, is the most startling revelation in the book. 

 

Slave Bunny: One final question, what do you feel is the biggest benefit of people knowing about all this and how do you feel it could/will change the way we think about power exchange? In short, what can we learn from this?

 

Ernest: Well, for a start, it turns the romanticized notions about Reage’s novel, which has been a template for many M/s relationships, pretty much on their heads. And it’s a useful reminder that the world of online BDSM is not the only venue in which BDSM exists. Lately, I have observed the community here to become increasingly ideological and doctrinaire, and there seems to have been a loss of connection with its fundamental roots in human desire. It’s become a kind of a social activity. One thing we might learn from them is an acceptance of why we do what we do. There’s a lot of talk in the community about “non-sexual BDSM” I find somewhat suspect. The O societies recognize the central importance of sex, particularly group sex, as the motivating force behind everything they do. There isn’t much emphasis on sophisticated BDSM technique or sensation play. It’s pretty much all about whipping and sexual servitude. I don’t propose this as a universal dynamic, but when people use words like “primal” to describe their dynamics I think it would be useful for them to see what “primal” looks like from a more ancient point of view.

 

Slave Bunny: Do you have anything to add, Nina?

 

Nina: We can learn that we know less than we think we do by exploring the differences between the American style of play and the European style, partly due to the different ages of our cultures. European culture is 2000 years old and American culture is barely 400 years old. We’re very new and young.  We haven’t worked through our Puritanism yet and we haven’t worked through our conflict over desire and power. In Europe, I think they’ve made their peace with it and it has a place. We haven’t made our peace with it, and there is no place.

 

Ernest: My final comment would be to ask people to try and read this without judgment.  It’s not only the O’s who are tested by the rigors of their commitments. Without giving away any spoilers I can say that something unexpected and quite dire befalls and these men rise to the occasion like Knights of the Round Table. They prove beyond a doubt that perverts can be heroes. I would say if there’s one thing that this book proves at the very end, it’s that good guys too wear black.

About Ernest and Nina:

Ernest Greene is the author of the well-renowned novel for Daedalus Publishing, Master of O, reinventing the BDSM classic Story of O set in modern Los Angeles and told from the master’s point of view. His previous work includes co-authoring Coming Attractions, the Making of an X-Rated Video with Dr. Robert Stoller (Yale University Press, 1989) and shared credit with his spouse, Nina Hartley on Nina Hartley’s Guide to Total Sex (2006), from Avery Press, a division of USA Penguin Group.

 

Greene is a longtime member of the Los Angeles BDSM community, joining Threshold when it was still an affiliate of The Society of Janus. He served six terms as Threshold coordinator between 1989 and 1995. He continued to do orientations for new members thereafter and participated in numerous outreaches to academic groups.

 

Since 1985, Greene has concentrated his efforts mainly in adult entertainment and adult sex education, serving as Executive Editor of the best-selling fetish magazine Hustler’s Taboo since 1999 and most recently as Chief Associate Editor for Hustler’s All-Sex issues.

 

Ernest Greene, has participated in the production of adult video for three decades as a performer, writer, director and producer. His body of work comprises over five hundred titles, including AVN award winners Strictly for Pleasure, Mask of Innocence, Tristan Taormino’s Ultimate Guide to Anal Sex for Women and Jenna Loves Pain. With his wife, Nina Hartley, he has served as producer and director of the Nina Hartley’s Guide series of adult sex education programs for video market leader Adam&Eve Pictures. The series has sold over three quarters of a million videos to date and now comprises forty titles. His own erotic features for Adam&Eve, O – The Power of Submission, Surrender of O and The Truth About O have thus far seen sales nearing 100,000 units, making them among the biggest selling X-rated feature titles in recent years.

 

Greene is particularly well known for his groundbreaking approach to the presentation of unconventional sexuality related to consensual domination and submission. He has been active in the BDSM community for nearly thirty years, conducting workshops and seminars and serving as an officer of community groups. He is a retired six-term coordinator of Threshold, Southern California’s oldest active pansexual BDSM organization.  His activism also extends to the world of adult video production, where he held the position of chairman of the board of directors of The Adult Industry Medical Healthcare Foundation (AIM) for seven years and to his commentaries on the adult industry Blog for Pro-Porn Activism.

 

Nina Hartley is a pioneering feminist sex  worker, using her body in the service of promoting a sexually sane and literate society. She is thrilled to see a new generation of sex-positive performer/activists take its space and spread the good news about sex. Active as a performer since 1982, her rock-solid commitment to the importance of sexual autonomy has fueled Ms. Hartley’s career in adult entertainment. As a performer, director, writer, educator, public speaker, and feminist thinker for all, no matter their orientation, she’s traveled the world to deliver her message. She believes that sexual freedom is a fundamental human right and welcomes the new social media opportunities for spreading her message of knowledge and empowerment to the widest number of people. She’s the author of, “Nina Hartley’s Guide to Total Sex,” from Avery Press. Putting to use her B.S. degree in nursing, she and her husband, Ernest Greene, have produced the million-selling sex-ed video series collectively known as  “The Nina Hartley Guides,” from Adam & Eve, currently in its 38th episode.  Still active in front of the camera, she and her husband live in Los Angeles.

Ernest’s Website: masterofo.com

Be sure to check out an excerpt from their Erotic Non-Fiction novel titled The Initiation of Cora.

Click here to read Part 1.

Tagged With: bdsm, dominant, ernest greene, kink, Nina Hartley, power exchange, slave bunny, story of o, submissive

Sergeant Major Interview

April 9, 2018 By kinkweekly 4 Comments

leather

Slave Bunny: In your own words, what does being leather/leather mean to you?  

 

Sergeant Major: To me, it’s about things such as loyalty and acceptance. It has to do with  brotherhood in a non-gender specific way. It has a lot do with traditions and honor. It has to do with remembering and honoring our history and those who really suffered because of the lifestyle. We can only be out because a bunch of drag queens got pissed at the New York Police Department and started beating them up.

Slave Bunny: You’re talking about Stonewall aren’t you?

 

Sergeant Major: Yes. That’s really the generation of us being out. Later on there was the March on Washington in 88 and so forth.  Leather is the foundation of which is now called the BDSM community.

 

Slave Bunny: So, in your opinion, not all Master/slave relationships are considered leather, correct?

 

Sergeant Major: In my experience, most people I’ve come in contact with who are in a Master/slave relationship have at least a leather underlay to what they do.

 

Slave Bunny: I also wanted to ask, what do you feel is the difference between between M/s and D/s relationships?

 

Sergeant Major: Master/slave is one nomenclature for relationships based on domination and submission. So there’s a wide variance there. A D/s relationship may not have as many protocols and as many closed dimensions as does a Master/slave relationship. I don’t operate on the assumption that a slave no longer has any rights or anything of that nature. I think for a Master/slave relationship you’re equals who’ve basically chosen a different role. But a D/s relationship is somewhat looser in regards to the way it’s structured for example.  And you know, unfortunately, some D/s relationships only exist in their sex lives. It’s D/s in the bedroom as opposed to a D/s relationship. I think Master/slave relationships probably have more protocols and we’re more involved in joint decision making than D/s relationships.

 

Slave Bunny: May I ask how you personally go about implementing protocols? Also, do you have a contract?

 

Sergeant Major:  First of all, let’s talk about contracts. A contract is simply an agreement in terms. It doesn’t have to be a written document. But one of the protocols that I have is you petition to enter my service. The first thing you’re going to do is write a draft contract because that’s going to tell me what you’re offering and what you’re saying you can’t offer. So, we’d go from there to negotiate a contract based on my needs and wants. As far as protocols are concerned, I use protocols and rituals almost interchangeably because the protocols that I have are rituals in the sense that rituals are designed to create a mindset. I have a daily affirmation ritual, which anyone petitioned to me makes a daily affirmation and I have a response to that. And so we reaffirm our relationship on a daily basis. I also have certain protocols I follow with regard to scenes. Now those protocols are in fact a ritual and they’re designed to create your mindset. Now if someone’s going to have a scene with me, whether they’re pledged to me or not, one of the first things I do is I hand them a scene collar because everybody that I’m topping who will have a scene with me will be wearing the scene collar. They will offer me that scene collar and I will put that on them. They offer it to me saying they are willing to have the scene with me and to bottom for me. So that’s the initiation of the power exchange there.

 

And then they simply sit there with the collar on until I have everything rigged and laid out. At that point, the next step in the ritual is to have them undress. The ritual for me is I strip to the waist at least. Sometimes even in public I will top totally nude. If you’re nude I expect to be nude. I’ll at minimum strip to the waist. When I do, then I gesture to the bottom to strip however far we’ve negotiated and then I hand them the cuffs I’m going to put on them and they hand them back to me and I put them on. Then I lead them to whatever piece of equipment I grabbed to use. The whole thing is to do this in a ritualistic manner in order to create a mental attitude. That scene continues until that scene collar comes off. So, that carries through aftercare and everything else. So what do I have for protocols? I have the protocol that if you’re pledged to me, you’re always on my left when we’re doing something, moving somewhere, going somewhere.

 

Other protocols we have are you don’t sit until I tell you to. In other words, I sit and then you sit. That’s more of a superior subordinate situation than a Master/slave situation. You’re always on my left because my background is military and the subordinate is always on my left.

 

All of my relationships in my household are based on the fact that we’re partners. I happen to be the senior partner with the final vote. But you have a voice. That’s another aspect of the way I do things.

 

Protocols are ways of doing things and to use a military term that’s called the standard operating procedures in the household. The thing is with protocols, if you quit using them, get rid of them.

 

Slave Bunny: What is the protocol for your slave to bring things to your attention?

 

Sergeant Major: Anywhere. Anytime. Except in public. In other words, if I say something or say we’re going to do something and you have objections to that, let’s talk about it because the key to any successful Master/slave relationship is communication and transparency. If you’re not transparent and you don’t have communication, your relationship is going to fail.

 

I spent 26 years in the military and I was a rather senior rank. One of the things they taught me early on is that when a subordinate comes to you with a problem or an issue, regardless of how trivial you may think it is, it’s the most critical thing on their mind at that moment. You have to deal with it on that basis- that it’s the most critical things that they have at that time. So, delaying it and not dealing with it is inappropriate because what you’re doing is putting them down.

 

I have to take it upon myself. If I’m immediately involved in something, I will say, “Can I finish what I’m doing?”

 

But other than that, I think it’s inappropriate to delay it. So my thought is if you have an issue bring it to me. The thing is you have to bring it to me because I’m the only one that can resolve it.

 

Slave Bunny: I also wanted to ask you, do you have anything to say about slave training and methods you use?

 

Sergeant Major: First of all, I don’t use the term training. I train animals.

 

I wrote this manual for lack of a better term and we actually do a lecture on the difference between training and teaching. Training is catechetical. Teaching is different. There’s a three part methodology they use in the military for teaching. I’m going to tell you how to do it. I’m going to show you how to do it, and then you’re going to do it under my supervision. I like to use some form of a written contract for training, just simply to codify what we’re doing.

 

Slave Bunny: I’ve gotten a lot of questions lately about the difference between discipline, punishment, and correction. Could you give your own definition of these three terms?

 

Sergeant Major: Correction is me telling you what you did wrong and how to do it right. There is no penalty for that. If I feel something is appropriate, I will use deprivation rather than punishment.

 

Slave Bunny: Deprivation of what specifically, if you don’t mind me asking?

 

Sergeant Major: You can’t speak to me for two days. You can’t serve me for two days.Something of that nature. I take a way something from you that’s meaningful to you in the relationship. Corporal punishment is a waste of time because if you’re a masochist the penance will beget the sin. I don’t train a dog with corporal punishment. Why would I train you with corporal punishment?

 

Slave Bunny: So, when you correct, do you use verbal or physical correction?

 

Sergeant Major: Whatever is appropriate. Most of the time it’s verbal correction. In the military we call that a spot correction.

 

The first thing is if you fail to do something I want you to do, I have to make sure that I communicated exactly what I wanted you to do. I am the first response. Did I fail to give you proper guidance? Did I fail to communicate exactly what I wanted?

 

Rewards are much more successful than punishments.

 

Slave Bunny: So what types of things would have to occur to deprive your slave of something?

 

Sergeant Major: Deprivation is based on willful disobedience. If I told you I wanted you to do something in a certain way and you continued to not do it in a certain way, that’s willful because you know how I want it done. So if that continues, then I will use deprivation.

 

Now if there’s a continued pattern of willful disobedience, I do what Donnie Lil’ Hands does and say you’re fired.

 

If you’re being willfully disobedient, you’re not interested in being in my service.

 

Slave Bunny: What happens when you realize that you did do something wrong or maybe your expectations were too high? How would you go about dealing with that?

 

Sergeant Major: The only thing you can do is own your error. If I fuck up, I have to own it.

 

Slave Bunny: Do you believe D types/Masters should apologize for their errors?

 

Sergeant Major: If I own it then I’ve got to apologize when I fuck up. If I have a negative impact on you, I have to apologize. Being a Master does not negate my obligation to be a gentleman or to be a man.

 

Let me give you two things I’ve written. There’s The Dominant’s Creed. And that creed is cherish, respect, protect, lead and guide. It’s my obligation. And the creed for submissives is respect, trust, honor, serve, and obey. And those two things, if you look at them are progressive, each one leads into the next and you can’t put them in any different order.

 

Slave Bunny: In your house do you say those creeds to one another?

 

Sergeant Major: No, we live them.

 

Slave Bunny: Is there any other advice you can give concerning Master/slave relationships?

 

Sergeant Major: The key to me is communication and transparency.

 

To be submissive you have to be intelligent, independent, and capable. Without that, you offering to enter into my service is not meaningful because by being intelligent and capable, your desire to enter into my service indicates that you want to be with me, not that you have to be.

 

My obligation to you is to create an environment that makes you want to stay in my service.

 

Leadership is the ability to get people to willingly do that which they would not normally do.

 

That is my mantra.

 

You can only lead by example.

 

The way that I attract people to my service is by creating an environment that causes you to want to be in my service.

 

About Sergeant Major

A committed follower of the leather tradition paying forward to those who want to learn in order to repay those who took the time to teach him. Dedicated to preserving the traditions of honesty, trust and loyalty which are the hallmarks of the leather tradition into the 21st Century by sharing them with those who want to go beyond the gateway of the lifestyle. Serving his community as a teacher, mentor and worker and leading by example as a master.

Great Lakes Master 2006,
President, Leather Journey
Director, MAsT: Twin Cities
Member, NAL-I
Member, Titans of the Midwest
Associate Member, Atons of Minneapolis
Associate Member. Chicago Leather Club
Associate Member, Cornhaulers L&L
Past Member at Large, National Board NLA-I.

Sergeant Major’s slave, Riches, produces a submissives retreat weekend in September with this being the 5th year. The website for the retreat is www.SEEKMN.org.  His not for profit educational corporation Leather Journey is the sponsor.

Tagged With: interview, leather, Sergeant Major

anniebear Interviews Demonic Toys

September 12, 2017 By anniebear Leave a Comment

anniebear sat with SirBerus, owner of Demonic Toys to discuss his methods, materials, and why Demonic Toys is an up and coming contender in the BDSM toy market.

Owner and creator of Demonic Toys, SirBerus
Owner and creator of Demonic Toys, SirBerus

anniebear: SirBerus, owner of Demonic Toys- we’re always really excited to interview people that have really cool toys to play with in the scene.

SirBerus: Thank you so much for interviewing me! It’s great to be a part of Kink Weekly!

anniebear: Tell me about Demonic Toys. What type of toys do make? Do you use any specific materials?

SirBerus: Demonic Toys is all made from steel materials. The Devil’s Lollipops are made from circular saw blades either in 7 ¼, 10 , or 12 inches in diameter and then a solid steel handle that is attached through a steel stem. The handle itself is hallow to reduce weight. We also make theCandy Pain which is a solid steel rod cane. I was trying to come up with names and the first one I made had a candy cane stripe so the Candy Pain was created.

A Candy Pain
A Candy Pain

anniebear: Genius! (laughs)

SirBerus: Of all the things that we make the easiest one to name was The Devil’s Lollipop. I came up with it because of the little lollipops that are similar to SadiSticks, these just almost seemed like an over sized version except on steroids and a lot more aggressive. So the first thing that came to me was the Devil’s Lollipop. Everything Demonic Toys makes is all hand made out of steel, there’s nothing done with robotics or precut or pre-fabricated. Each one is unique. That has its pluses and minuses. The minuses being I can never duplicate them exactly. All my saw blades are recycled used blades. Trying to take things that people would normally throw away and re-purpose them and the problem with that is when a client says “I really like that specific saw blade”, well, it might be a blade style that I no longer have.

annibear: Being that you use actual saw blades for the toys do all of your toys have the potential to cut skin when you use them?

SirBerus: I make sure to grind the edges down before they’re painted. They still have enough of an edge to enhance sensation play. It’s a lot like knife play if you’ve dulled the blade a bit, this is the best way I can explain it. I try not to make them too sharp. The same way you wouldn’t want a knife to be razor sharp for knife play, you wouldn’t want one of my saw blades razor sharp either. You have the safety to run it along somebody’s skin even in a relatively sensitive area like the sides or thighs and not have to worry about barely touching them and cutting them.

Wry shows off his new Demonic Toys paddle at DomCon 2017
Wry shows off his new Demonic Toys paddle at DomCon 2017

anniebear: We were so happy to see you showing off your things at DomCon a few months ago. It looks like you had some pretty wicked stuff going on there with Demonic Toys. I know that you have a history and experience with metalworking, is that correct?

SirBerus: Yes, actually I am a welder and metal fabricator by trade. I got requested and told by a number of people including my submissive, Jenn, to try and make something unique and different out of metal. I thought about it for a while and if I made anything I wanted it to be more than a single use item; something that could be both impact and sensation or vice versa or have multiple uses. The first one I made I did as a joke and everyone seemed to go absolutely ballistic when I pulled it out. That was the very beginning.

anniebear: That’s great! It’s really fun when you can merge something you already know how to do into something that’s more fun like a hobby, so it sounds like a perfect marriage.

SirBerus: Absolutely! It definitely allows me to have the creativity to play around with metal work as well. I am far from a professional painter but it allows me to put that creativity into paint work for the designs and seeing people’s reactions and seeing the “oos and aahs” as well as “holy crap!” that comes from people seeing it for the first time. This always makes me smile.

anniebear: That’s wonderful, it sound very rewarding. So I saw a lot of your toys at DomCon. What would you say some of your favorite pieces are that you’ve created so far?

SirBerus: I’d have to say the original Devil’s Lollipopis still my favorite because it was the first one I made. I decided to put a whole lot of extra time into the paint job, just to see how far I could push myself. Because of that paint job plus the fact of it being the original prototype, that one is definitely my favorite. Other than that I’d have to say the Death Star paddle I made for a client was probably one of the hardest but most rewarding. Follow that up with one of the first custom sets I made. I made a Devil’s Lollipop and Candy Pain both in black and pink for Sir Pent. It was hard and took a lot of work but the reward that came from it was amazing.

Custom Death Star paddle by Demonic Toys
Custom Death Star paddle by Demonic Toys

anniebear: I was personally a big fan of the Death Star paddle. I saw it when you were just about finishing it up. It was impressive. How long do you think it took you to make that?

SirBerus: To make it took about four hours and the paint job took almost six total hours. So about ten hours of work!

anniebear: That’s amazing! It just shows how careful and meticulous you are with your work.

SirBerus: Yes, when it was first brought up to me as a custom job my first thought was, “There is no way that I’m making a Death Star from hand!” All of my stuff is one off. Even if I wanted to I couldn’t duplicate it 100%. So the concept of doing the Death Star was just mind blowing. (sentence removed) I decided to try and step it up and see if I could do it. A lot of friends suggested I just buy a vinyl sticker and stick it on there and clear coat it, but in my opinion it takes away from the company. I state that everything is done by hand and everything is a one off piece, anyone can stick a sticker on there. I wanted to step up to the challenge. It definitely was the most strenuous paint job I’ve done to date, but also the most rewarding.

Devil's Lollipop
Devil’s Lollipop

anniebear: On a more personal note how long have you been in the lifestyle?

SirBerus: I’ve actually been in the lifestyle and really embraced it for about a year and a half. I actually have to give a big shout out to my submissive Jenn because I always kind of had this feeling I was kinky and kind of felt off on my own island away from my friends when it came to this stuff but I didn’t know about the scene until we started dating. It was kind of overwhelming when we started dating and I became her Sir. It wasn’t until I truly embraced everything that the Demonic Toys idea took shape.

anniebear: That’s amazing, considering that you’re relatively new to the scene, to come out with this whole line of toys and torture implements is pretty incredible.

SirBerus: Absolutely. A lot of people have raised eyebrows when I actually tell them how long I’ve been in the scene. I’ve been told by people they thought I’d been in the scene anywhere from four to ten years, which kind of makes me laugh. Not laughing in a negative way, but I take it as a compliment, I wish I could say I’ve been in it that long. For how much it’s brought me off “the island”and allowed me to meet people that make me feel like the things I enjoy and the things I like aren’t weird and aren’t taboo is a great thing. So I want to find a way to have something new to contribute to the community. I think about how my submissive Jenn is so involved in the community and teaches and everything else, I want something to give back as well. I want something that nobody had seen before. There are so many toys that are great but they’re almost so similar between companies I want something that is really going to make your eyes pop, make you really take a step back and think about what you saw.

anniebear: That’s a really good motivation to start a company such as yours as a way to give back and still be creative at the same time.

SirBerus: It’s definitely been one of my favorite things. It’s been a huge motivator to see people’s reactions and partially to hear how nobody seems to take the same toy the same way. A lot of the time with a specific toy it’s either stingy or thuddy and everybody pretty much agrees. I can take the same Devil’s Lollipop and hit three different s-types and get three different reactions. One will say it’s stingy, one will say it’s thuddy, and one might say it’s a little of both! Then you add the fact that its got sensation play on the edges as well as conducts electricity. The Candy Pains do the same thing, but they’re deep tissue instead of what you think of a cane as giving a really sharp, stingy sensation. So I love seeing people’s reactions when they think it’sgoing to be the most viscous thing to hit their skin and then they try it and realize wow, I actually enjoy that and it wasn’t nearly as vicious as I thought. Obviously how the Top uses it will determine how vicious it can be.

anniebear: It sounds like a lot of fun. I imagine you had to maybe enlist the help of your submissive to try out some of these new toys before you started selling them.

SirBerus: Yes, she definitely got to try them out. Luckily,with people at her BDSM 101 class along with a few other people, I got to hand them off and get opinions from multiple different s-types and bottoms to get their opinion on them, along with Jenn’s. That’s really where I realized everyone feels it differently. Where she thought it was thuddy, someone else thought it was stingy. That personally made me smile because no one is going to say the same thing. This is just the beginning and I really truly hope people like all of the toys. There are a few more toys in the works that are soon to be rolled out to the public. I’m hoping that people see these and see it the same way that I do. That it’s a multiple use toy that is quite unique and they enjoy it for what it is and love using it.

Update: Demonic Toys has released two new toys since this interview was taken – the Devil’s Tongue and Lillith’s Lollipop. Check them out on DemonicToy’s profile on Fetlife!

Tagged With: Demonic Toys, impact play, interview, scene ideas, toys

Dexx Interviews Apricot Pitts

September 5, 2017 By Desdemona 1 Comment

Dexx met with professional submissive Apricot Pitts at DomCon Los Angeles to discuss her experiences in the lifestyle and as a pro.

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Dexx: I really wanted to interview you because a lot of the people we interview are Doms or very experienced long time players. I’d love to hear the perspective of somebody that is both relatively new to the scene and also more on the submissive side. So let’s start with how long have you been in the scene and how did you come to discover it?

Apricot: Well, I’ve only been in the scene for about a year, after my friend bugged me enough to join FetLife. I saw an event that was local to me at Threshold, so I volunteered there because I knew it’d be a good way to see the behind the scenes and get there early and spend a lot of time just to check it out as much as possible. I met a lot of cool people and I felt like it was a really good community. Everyone was really open with each other, just a very inclusive and not cliquey type of environment, which I really liked.

Dexx: Prior to your friends telling you about Threshold, were you interested in BDSM already?

Apricot: Yes, I think I’ve been into it ever since puberty. I saw a documentary and it was a Domme showing you her dungeon, and I thought that was so cool and interesting. I read a lot of erotica and other things online, and when I got my first boyfriend when I was 16, we started doing stuff like that. Once I started going to Threshold, I explored things I had never tried before, like flogging and teasing implements.

Dexx: How did you transition from playing in the lifestyle at Threshold to finding your way to doing pro work at Sanctuary?

Apricot: I was looking at Sanctuary’s website and they had an advertisement that they’re always seeking new staff, so I decided to check it out. I knew it’d be a good and safe environment to learn and practice. As a submissive, I knew that there would be people there for me if something bad happened. I felt very safe and knew I could trust and learn a lot from all the other women there.

Dexx: What was your experience like, actually going in and interviewing? Was it scary? How does it all work when you actually want to join as a pro?

Apricot: It wasn’t scary to work with Mistress Cyan [owner of Sanctuary] the first time because she’s very calm and she doesn’t say things in a way that puts you off. When she speaks, it makes you want to open up, so it was really easy to talk to her. She asked me what my limits would be and she asked me what my experience was, and then told me the dress code and then Genesis showed me around and I started the next day.

Dexx: How long ago was that?

Apricot: About 6 months ago. I’m relatively new.

Dexx: Tell me about the first time that you did a pro scene. Were you nervous?

Apricot: I was really nervous. I don’t actually remember exactly what it was, but he was fine.

Dexx: Are there particular things as a working pro that you have really enjoyed? Are there things that you’ve done that you don’t particularly enjoy?

Apricot: Absolutely. Since I have nipple piercings, I don’t like any nipple torture or rough play on that area at all. And I don’t like electricity play that much, but impact – it can be very sensual and I really like body worship, giving and receiving body worship, and body hair and odor worship. So, the clients that I get are very particular on that as well because it’s a really niche fetish. So a lot of the time, my regulars come specifically for my body hair.

Dexx: As a pro, how much are you able to dictate the types of play that you do versus kind of having to go with whatever the client is looking for?

Apricot: Well, during the interview with the client, I can always say no, and we talk about limits and what our goals are for the session, and we talk about humiliation and types of impact and things like that. During the session, I can obviously say yellow and red, and if it’s something I really don’t like, (like if the guy only wants to do breast bondage and nipple torture), of course I can say no. And that’s fine because it’s not worth my time to be miserable for however long the session is. It’s not worth my time.

Dexx: And I’m assuming it’s generally men that you find work from?

Apricot: Yes.

Dexx: What would your typical client be like?

Apricot: They’re usually like middle aged and more established guys. They usually just want someone to talk to before and afterwards, so I like to end my sessions a little bit early and just talk and ask “what did you like”, and maybe cuddle and just sit down and be relaxed afterwards. I don’t know, they just seem like normal guys that just need a way to escape during the weekend.

Dexx: So now that you do this for a job, do you still find time to play for fun, on your own personal terms?

Apricot: Yes, once I’m home at night I can do whatever I want. I live with my boyfriend but I go to parties on the weekend at Sanctuary, so I do get to play and explore, just not my submissive side, but when I’m at lifestyle parties, I can.

Dexx: Are you a switch?

Apricot: Yes, I identify as a switch.

Dexx: Cool! Are you out to your friends and family about being kinky?

Apricot: Kind of. Not explicitly. But a lot of my friends know I go to parties and I work at Sanctuary. My dad knows, and my mom kind of knows, but she seems hesitant so I don’t want to say, “This is what I’m doing and I love it!” and she’s going to be like, “Ahhhhhh!”

Dexx: Yeah, even that I think is pretty cool. I think 10 or 20 years ago it would be quite rare for people to be even a little bit out to vanilla friends and family about that sort of thing, so I think perhaps, it’s partly about you, but perhaps it’s also a sign of changing times.

Apricot: Definitely the culture is changing, being more LGBTQ friendly and since kink is really tight knit and a lot of people in kink are LGBTQ so it’s slowly coming out.

Dexx: Do you see kink being a big part of your profession for your future, or is it just kind of something that you dabble in?

Apricot: I don’t expect it to be my main source of income for the rest of my life of course, but I want to pursue it for as long as possible, and I do like it, and the fact that I make money at the same time is a good sign, but I do have plans to get an actual, serious job eventually.

Dexx: Oh yeah, like what?

Apricot: I want to work with plant health and inspection; inspect agriculture and make sure it’s up to health code and I feel like that would be a way that I could do justice for people of the United States and the world.

Dexx: Got it. That was a very unexpected answer but a very cool career path. So you do some kinky modeling as well?

Apricot: Yeah, I’d love to do more. It’s fun and I get to meet other people in the community, not just other players like mistresses, but photographers who go to studios and do that kind of thing.

Dexx: How is the dynamic of working with women who have been pros for years or decades? Are they generally nice and helpful mentors, or is there sort of a pecking order or hierarchy?

Apricot: I think there is a little bit of a pecking order at Sanctuary, but that’s to be expected. Some women just have different personalities and some women are busy so they’re not coming out with the other girls as much because they’re just busier, but I think they are all pretty welcoming. No one is ever rude to me whatsoever, which is really important because the job is stressful enough, we don’t need our coworkers to be rude.

Dexx: Let’s talk about your Domme side. What’s your favorite kind of play when you’re topping?

Apricot: Interesting. I really like body worship so worship my armpit hair and my legs and my butt. But I’m also pretty sadistic I think, so I like to spank really hard, and scratch really hard and fight and tease.

Dexx: You mentioned body hair a couple of times and it’s also a hashtag on your twitter profile. Tell me a little bit more about that.

Apricot: It’s just really cool, it grows there, it’s supposed to be there. I like it. And it smells really good and it looks really good and I like to play with it and like to smell it when I’m bored and it’s awesome.

Dexx: Cool, and do you find that that’s sort of much more prevalent or becoming more prevalent now, or that it’s something that’s pretty unique to you?

Apricot: Yeah, I recently went to Vegas for a girls’ empowerment convention. And that was really fun and a lot of the girls there had body hair as well, armpit hair and full bush and stuff, and I was like, Thank you for not feeling shy about your natural body hair that’s supposed to be there!

Dexx: Do you think that there’s some kind of tie in with feminism as part of that, or it’s unrelated?

Apricot: Maybe. I mean, I don’t necessarily know how all of them identify, but I’d say that I identify as a feminist, we’re all human beings, we can’t control what gender we’re born with, or how we feel about our gender’s sexuality, so we should all just be excellent to each other, you know?

Dexx: Any particular projects or goals that you’re working toward in terms of you’re kinky life at the moment?

Apricot: I think it’s bad that I’m not saying yes. But I guess I just want to shoot more with a lot of local women in Los Angeles, all the girls I’ve met at DomCom, or girls that I’m meeting on twitter, I’d love to just network more with them and make more friends in the community. I’m also transitioning jobs in the vanilla world, so that’s kind of having a lot of my focus.

Dexx: When you say shoot more with the women that you’re meeting, you mean like doing scenes with them?

Apricot: Yes, clips or just photos or helping them shoot anything they want to, if they need a videographer.

Dexx: Have you come across anything in the scene so far that’s been like, Whoa! That’s pretty freaky even for me?

Apricot: Suctions on the nipples and the clit, that’s like (screams). That’s just too scary. I don’t know nipple stuff so maybe I just don’t like that in general.

Dexx: Do you think that that’s mainly because you have nipple piercings that make it intolerable?

Apricot: Yes, I think I have a negative connotation because I know it would hurt if I got it, and so I just think that it hurts, like it’s on their clit too, that’s so sensitive. I’m glad that they like it, but I’m not going to try it anytime soon.

Dexx: You’re in a relationship, so I guess it must be at least somewhat open with you doing what you do. So is he kinky, is it a kinky relationship?

Apricot: A little bit. He doesn’t necessarily like going in public and doing it, but at home we have really switchy sex, a lot of power back and forth and wrestling, which is fun. I don’t really like doing that with clients so it’s good to do that with someone that I actually love.

Dexx: Of course! Well, I guess when you work there’re probably some pretty strict rules about sexual contact anyway.

Apricot: Oh, of course yeah. No penetration, no fluid exchange, no general rubbing a lot on my side. No hand jobs, blow jobs, anything like that.

Dexx: So you get clients that try to push the boundaries?

Apricot: Well yes, they’re guys and they’re in the moment and they see a butt cheek in their face, and they’re just like, “Can I touch in there?” Like no, of course not. You have to make it cute, like, “You can’t touch me there right now” or “No, no no,” You have to make it cute.

Dexx: Are you taught how to deal with situations like that by the other Dommes?

Apricot: Yes. They reiterate that we have to know our boundaries and know when to say no and when to know that they’re touching some place that they’re not allowed to. Because obviously we’re the only one in the room, and they say, “Yell red, someone will hear you, the walls aren’t that thick, someone will come in and stop.” You can always ask to end the session whenever you need to and they’ll have to leave.

Dexx: Have you had any situations like that?

Apricot: I had one situation where I should have said red, but it was only a 15 minute session and it was just really degrading and I’m not even against humiliation, I actually like humiliation sometimes, but it was just a lot all at once. It was only 15 minutes and he went at it right away and it was really shocking afterwards, but I just wanted to put up with it because I knew it was only 15 minutes.

Dexx: Aside from the kind of shock in the moment, do you think you have any kind of trauma as a result of that?

Apricot: No. I think…it’s hard to explain, but I think he was just really hateful towards women, you could just tell by the way he acted and he just really needed an outlet and, I mean I guess I would rather him do it to me in a safe environment instead of at a woman who is really desperate on the street, like a prostitute on the street. And I know he is going to do it anyway, so.

Dexx: That is a very mature outlook towards the situation. It sounds like in that case, it was not necessarily BDSM, but more like actual rage that he had. Do you feel a connection with some of your clients?

Apricot: Of course. Most of them. All the time. One thing, I heard the phrase sexual therapist during some of the classes at DomCom, the Dommes feeling like they take a lot of energy from the other person, that they provide them something that they can’t get in their regular lives. And they specifically seek out a professional, someone that can do that for them, and do that with them, safely, and someone with experience. It is a lot of energy exchange and there is a lot of give and take.

Dexx: Do you think that the guys that are doing scenes with pro subs are the same people that come to play in the lifestyle, or are those different groups of people?

Apricot: A lot of my clients, I don’t think that they go to dungeons or anything, because they are so specific. They want body hair and they just want to smell it and rub it and stuff, but a few guys I know, I’ve seen them at Sanctuary before and then I had a private session with them. I’m not sure. I think there’re either guys that have lifestyle submissives, 24/7 submissives, and they broke up with their submissives and so they just want someone to practice play with, and I think a lot of the guys are like that as well.

Dexx: Have you been to any interesting classes while you were at DomCom?

Apricot: Yeah, I really like Madam Margerie’s pet play class. Pet play is something that I really want to try to explore but I never knew.

Dexx: As a pet or an owner of a pet?

Apricot: I want to be a pet. I think I’d be a good puppy. I want to be a puppy.

Dexx: Have you tried being a puppy?

Apricot: Actually, after I went to her class, she handed out this one page with a summary of the information that she gave and I sat down with my boyfriend and we read it and I explained some of the things that she said more, I explained it more in detail and then, I was a puppy for a little bit and it was really fun.

Dexx: Did you play fetch?

Apricot: We did. And I wouldn’t give it back.

Dexx: Okay, so a little bit of a brat puppy?

Apricot: Yeah. And he has to tell me to go on the bed, I can’t jump on the bed without permission.

Dexx: Sounds like a pretty good rule. Have you tried being a kitten or a fox? Or a dolphin?

Apricot: I liked being a dolphin when I was 7 or 8 when we had a pool, and I would like be a dolphin.

Apricot sessions regularly at Sanctuary LAX. You can also follow her adventures on Twitter.

Tagged With: apricot cums, pro submissive, sanctuary lax

anniebear Interviews Restrained Grace

July 10, 2017 By anniebear 1 Comment

Miss Annie Nygard
Miss Annie Nygard

During DomCon a few months ago, I had the pleasure of sitting down with Restrained Grace creator Miss Annie (yes, it was annie interviewing Annie!). Read on to learn more about her creative and beautiful BDSM gear!

anniebear: Alright, Miss Annie, we’re here at DomCon and you’re exhibiting a booth this weekend for Restrained Grace?

Annie: Yes.

anniebear: So that’s your sort of love child brand.

Annie: Yes, so I’ve been making jewelry for about 10 years and doing that professionally for 9. I’ve been wanting to make kink jewelry for a while, so I just started that in about October. It is something I’ve been wanting to do for years, so it’s definitely a passion project.

anniebear: So how long have you been kinky?

Annie: I’ve known that I am kinky for about 5 or 6 years, but I’ve only been in the community for about 10 months.

anniebear: Oh, so you’re fairly new then. What do you think?

Annie: I love it! The more people I meet the more I feel at home.

anniebear: That’s great, so you’ve managed to somehow merge a passion for jewelry making and now putting it together with something you’ve always known about yourself.

Annie: Yes.

anniebear: Do you have any favorite pieces that you feature?

Annie: Let’s see, I mean my harnesses I’m really excited about, and I’ve just launched those on the website. I definitely like doing the one of a kind collars that I can use a lot of different colors and mix materials like some glitter vinyl that you don’t see a lot of, and go more modern and trendy and fun and colorful.

anniebear: Cool, so most of your things are for female, or female identifying?

Annie: Yes, that’s kind of how I started because that’s what I knew. I knew male lead and female submissive relationships, because I was pretty sheltered before I got into the community and now the more I make friends and meet people of different orientations and different lifestyles, it’s easier to want to work with them and design things for all different kinds of couples in different situations.\

Purple glitter bow collar form Restrained Grace
Purple glitter bow collar form Restrained Grace

anniebear: That sounds awesome! So you’re based down in San Diego?

Annie: I am.

anniebear: Is there a who’s who in San Diego?

Annie: Well, everybody knows Goddess Fae, and I think once I met her is when I kind of started meeting everybody because she knows everybody. She owns House of Black, she puts together this sub-community for people within the community so, I’ve met a lot of people just from knowing her, and I’ve made some of my closest friends in the last few months just from meeting her, so I think she’s probably one of the biggest.

anniebear: Do you identify as mostly submissive?

Annie: Yes, so I’ve always felt I was firmly submissive, and only recently have I started experimenting with switching a little bit, just topping. I’m very servicey, so I’ve started noticing that there is definitely an element of service in topping, especially people I’m close to. So certain people just sort of bring about that. For example I have a friend who is way more submissive than I even am, so it’s easy with her.

Sara: It definitely works out! I’m similar. I totally understand what you mean. It’s great topping and playing with friends. You don’t have to worry about saying the exact perfect thing because I do edit it and rearrange stuff if we get off track, for example and there is no awkwardness in that. So, just looking at your collection, I assume you really like pink.

Annie: I do like pink. I’m getting a lot of people asking for really pale pink, because you get a lot of baby pink.

anniebear: Yeah, and rose gold is really popular right now.

Pale pink and rose gold cuffs from Restrained Grace
Pale pink and rose gold cuffs from Restrained Grace

Annie: I’m a stickler about my colors going with the hardware really well. So, I work with a company in Canada that makes all of my strapping just for me.

anniebear: That’s amazing! Wonderful. I didn’t know that existed. (laughs)

Annie: Yeah, I’m really really a stickler about it. It needs to look really good against rose gold.

anniebear: That’s really fun. Have you ever had any ideas that maybe turned out to be misses?

Annie: For sure. I mean at the beginning it was a lot of trial and error because I’m pretty much self taught. I haven’t taken any classes as far as leather working goes. I pretty much just Google things and figure it out. Trial and error. Even the cuffs I’m wearing right now you can see the edges are unfinished because it was one of the first pairs I made. So it’s one of those things I’m like “that doesn’t look so great.” What can I do to improve that?” So, as I’ve grown, even the last few months, I’ve figured out more ways to make the pieces entirely more finished and more sturdy.

anniebear: Cool, so you also have a co-creator, Tara?

Annie: Yeah, Tara is my best friend of 20 years. She’s my business partner and we have a vanilla jewelry line that we’ve had for many years. She herself, is not in the community, she just doesn’t identify with anything kinky.

anniebear: She’s a vanilla!

Annie: I don’t want to call her that. She says, “I’m not THAT vanilla!”

anniebear: I think if you mean it in a derogatory way, then that’s different. She’s non-kinky.

Annie: She’ll joke about it every once in a while, like, “I’m kinkier than you think, I just don’t talk about it like you do.” But yeah she’s all in, super supportive of me and the community and she’s ecstatic to meet all of my friends and learn about the way everyone uses and wears the things that we make so that she can help design, and so she does a lot of the hand stamping and metal smithing for the jewelry side of things.

anniebear: That’s amazing. You kind of got her on board with the whole idea?

Annie: I’ve been talking about it for probably a couple years and we were debating the best way to go about it because our brand is distinctly vanilla and we wouldn’t want to alienate our customers.

anniebear: So you keep them separate.

Annie: Yes, we keep the brands separate. Although I do let people know. I made Restrained Grace a social media account, like hey we also make nerdy stuff over here. I just, at this point, we haven’t advertised Restrained Grace too much.

anniebear: You wouldn’t necessarily want to have it on that website because people get uncomfortable (laughs)

Annie: Yes and you know my personal social media, I’m tied to both brands, and I’m out in every sense, personally. So I’ll mention both brands on my personal social media.

anniebear: that’s amazing! So I imagine your family must be pretty cool or accepting?

Annie: For the most part. My immediate family they know. I’ve always been kind of a black sheep. So my mom was just like, as long as you’re happy. I mean, I definitely had to have a conversation with my mom and explain to her that it’s not all whips and chains.

anniebear: There’s also this (Restrained Grace).

Annie: Yes, there’s also pretty girly things and wonderful communication levels and relationships and there are so many benefits to it.

Pale pink harness from Restrained Grace
Pale pink harness from Restrained Grace

anniebear: I love that. It’s really really great when that happens because it’s rare, I think that someone should be so completely out in their life and not have too much backlash or anything.

Annie: Right, I was able to actually come out as bisexual, poly, and kinky.

anniebear: All at the same time?

Annie: All at the same time, within a month or two. It’s been wonderful. I think I’ve just managed to surround myself with people who are supportive.

anniebear: You have your network there. Has your website ever received any…I know it’s relatively new, but has it ever received any criticism or backlash from anyone?

Annie: I actually have one random person who anonymously likes to send me…

anniebear: Hate mail?

Annie: Kind of. It’s very obvious, it’s very trolly, it’s very nasty, so I’m just like, I’m not going to give them any power over me.

anniebear: Sounds like they have too much time on their hands.

Annie: Yeah, they have nothing better to do than to worry about how happy I am, so.. (laughs)

anniebear: You’re like my life’s great, so I don’t know what you’re worried about!

Annie: My life is amazing!

anniebear: On a personal note, it sounds like your life has exponentially improved since coming out and getting involved more in the lifestyle.

Annie: Yes, the more involved in the lifestyle I get, the more people I meet, the more I feel like this is where I’m supposed to be. I was previously married and my whole relationship was vanilla and entirely unhappy. Getting to learn more about who I am and why I am what I am, and meet other people who are on the same journey and help them explore and connect with them, it’s incredible. And also sex. (laughs)

anniebear: That doesn’t suck either. (laughs)

Annie: Yeah our lives don’t suck.

String of pearls collar from Restrained Grace
String of pearls collar from Restrained Grace

anniebear: Have you ever been to any other big conventions like DomCon before?

Annie: This is my first big convention. This is actually my first, besides socials and a couple play parties, this is my actual first big thing.

anniebear: That’s wonderful. What do you think so far?

Annie: I love it. Just the broad variety of people and everyone’s different kinks and how everyone here is just accepting and excited. I’ve even met some totally new people who are just so beyond overwhelmed. They’re just like, “I’m taking business cards and I don’t know what half of this is for but I want to figure it out!” and I say “I’m here to answer questions if you like, and I’m new and I’m here to learn too!”

anniebear: There’s definitely that intimidation factor when you first get into the lifestyle.

Annie: It makes me want to do a blog post about how it’s really not as scary as you think and just talk about my experiences, like coming out into the community and being so timid and thinking it was going to be this big scary thing and instead meeting amazing people who are just all about finding their own happiness and giving pleasure and receiving pleasure, like this wonderful hedonistic group of people who are all just want to hang out and be happy. And it’s an incredible thing and doesn’t happen in the vanilla world very often, I don’t think.

anniebear: I would completely agree. The relationships formed in this lifestyle have been so much more meaningful in a way. So being new to the lifestyle, how did you kind of begin your journey?

Annie: Well, I had obviously read some filthy romance novels and things like that, like got the idea of who I was. I’d spend a lot of time on Tumblr, looking at…

anniebear: Dirty pictures! (laughs)

Annie: (laughs) Yes, dirty pictures! And there’re some bloggers on there that are, you know, male dominant/female submission and that really spoke to me, so I would read about their actual lifestyle. They would post anecdotal stories about their lives and I was like, this is for me. So when I decided to really get going in my business that’s the direction I took it in because that’s all I knew. And I’m the kind of person that I don’t want to bank off of someone else’s lifestyle if I don’t understand it properly. So, it’s not so much that I started it in an effort to be exclusive, or exclusionary, but that I wanted to know what I was doing and make things that were going to serve the purpose they were intended for for people. So the more people I meet the more my horizons are broadened I’m learning how other people would use things so I’m able to make things for Pro Doms, for female doms, male subs, gay men, all my friends are across the board.

anniebear: Did you end up going to an event in San Diego as an introduction into the lifestyle?

Annie: Yes, so I was dating a man who took me to a social, it was a really small social and the first couple times we went, we didn’t really get very social. And then I ended up going to another one alone and I had met a handful of people so I thought worst case scenario, just cling to somebody. And that was what started expanding my world because I wasn’t there with someone who was demanding my attention, I went alone, and made the rounds and made friends and started going to more things that way.

anniebear: Everyone is a lot nicer than you think they would be too, huh? (laughs)

Annie: Yeah, it’s very easy to be intimidated by the idea of what you think it’s going to be like, and be standoffish. And it’s one of the things I was talking about with friends earlier, it’s easy to feel like the community is cliquish because everyone forms such tight bonds to all the things we do together, like everything we do is intimate even if you’re only witnessing someone else do something, you feel like an interesting connection with them afterwards. So an outsider looking in at a social, where all these people know each other, is going to feel very intimidated. But there’re always people on the peripheral who know newbies are there, and want to welcome them to the community.

anniebear: Anything else new on the horizon for you?

Annie: I am working on adding a line of leather slappers, more sex toys, and things like that.

anniebear: How fun!

Annie: I’m also working on custom rope that will match my leather gear. I’m working on adding and expanding my line with other local crafters in San Diego, I’ve created a Fetlife group for local kinky crafters.

anniebear: Calling all crafters! (all laugh)

Annie: Yes! So we can all meet up and get together and work together and learn from each other. I’d like to be able to offer more hand made things that are outside of my wheel house. But the same quality and that work with my product line. I’m adding a whole line of more unisex and masculine designs. I’m really excited to get to work with my male sub friends on that.

anniebear: It’s good to have direct source information.

Annie: Yes because honestly, I make stuff that I would wear, so in not knowing any male submissives or masculine submissives, I feel like it would kind of be a shot in the dark trying to make for them, and I want to make things that are different than what’s already out there. Having resources and people who give me their opinions about a design with me is, it’s huge.

Make sure to check out Miss Annie’s full line of BDSM jewelry and accessories at Restrained Grace!

Tagged With: bdsm toys, collaring, collars, restrained grace

Dexx Interviews Bella Bathory

May 29, 2017 By Desdemona 3 Comments

bella

Dexx: Bella Bathory, you’re a Pro-Domme and a lifestyle educator, well known in the Los Angeles scene and around the country.

Bella: Thank you.

Dexx: I want to start out by asking you, how you first discovered BDSM.

Bella: I came up in Chicago but I actually grew up in Vegas, which I call it akin to growing up in Disneyland. It’s a very surreal upbringing experience. But I started working as a model when I was 15 or 16. One of my first contract gigs was actually working for DeJavu Love boutique, so I was a lingerie model before I was 18. And I went to my first fetish and fantasy ball at 17 years old and was hooked. I was wearing this stupid white lace angel situation because half the girls were angels and half the girls were devils. I always tell this story because it stole my heart, but there was this woman who walked on stage, head to toe latex dressed like Cruella Deville and she had this giant drag queen wig and she had 3 men on either side of her, butt ass naked covered in dalmation polka dots and I was just like, that’s what I want to be when I grow up. I dove in from there.

Dexx: How did you go about diving in?

Bella: I went that weekend, I did everything that I could possibly do at Fetish and Fantasy, I was just going to the party to do modeling and then I was like, I’m going to do everything. I started finding local parties, munches, taking classes…

Dexx: This was in Vegas?

Bella: All in Vegas. My sexual proclivities have always been a little bit rougher, I knew from a really young age, that the sex I liked to have was really violent and being a woman, I was always bossy. For example, in 3rd grade, I got a bossy award. So, it was really connecting a lot of the dots for me like this is a community of people that behave in a way that I behave, but they do it in a very structured way, and that was really attractive.

Dexx: I’ve been to Vegas a few times and met with people in the scene there and it seems like it’s a difficult place to be in BDSM.

Bella: It is. Their legality is so weird, especially working as a professional, it is so heavily regulated because they do have prostitution legalized in the state, they crack down everywhere else. Strippers have to have Sheriffs ID cards. The thing with BDSM, especially working as a professional, what is considered sex is such a fine line that sticking a toe in a client’s mouth could be considered penetration and you could get popped for a prostitution charge. So it’s very underground and it’s a lot smaller. I dabbled a little bit in it when I was in Vegas but what really stole my heart was the Chicago BDSM scene.

Dexx: Tell me about that. I’ve been to Chicago, but never been to any of the BDSM related places.

Bella: Okay, so Chicago is where they hold Mr. International Rubber, Mr. International Leather. They have leather events throughout the year. They have Midsummer Night’s Fest, which is a gay event in Andersonville that can get kinky, but the great thing about Chicago is that it’s like old guard leather, and I came up with a lot older gay men that taught me protocol, they taught me the foundation of what I loved about leather, the trust and the communication and family aspect. The women there have been doing it for many years, so there’s one thing that I don’t see quite as much in Los Angeles is the lineage. If you come up in Chicago there’s a mistress that you train with. I never worked as a professional submissive. The mistress that I worked with, Von Livid who is still in the scene, she actually owns Latex Company, she trained me on how to do all of the things and she trained me on how to receive the physical aspects of it, but I was never working professionally as a submissive. She trained me and she has a dommy mommy and every mistress there has a lineage. They trained with this person, that’s where they got things from, or they come from a collective of a leather family, where I feel like in LA there are mistresses that appear out of nowhere.

Dexx: So, it seems like part of that old guard mentality is that in order to become a dominant, you must first be a submissive and to experience it from that side and it sounds like you did that a little bit.

Bella: I did it but not on a professional level. I don’t think you can truly understand what you are putting someone through unless you’ve experienced it both physically and psychologically. I would not be able to do that for money with a man. I just do not have the capacity to do that.

Dexx: In terms of people generally coming in to be dominatrixes?… dominatrices?

Bella: There is a lot of debate on that, what the plural is…Domini? (laughs)

Dexx: Do you think that is something they should generally be considering as a part of that?

Bella: Absolutely. There are some mistresses that don’t do that. Cybill Troy runs a house of just mistresses – they train you to be a mistress. And some of the women there are absolutely amazing. But then you see women like Snow Mercy who came up in the house of the Dominion and she’s been in the scene for 10 plus years and she is just so proficient in everything she does. My suggestion to younger Doms would be if you’re not comfortable experiencing the submissive side or the switch side for pay for with strangers, definitely find a mistress to practice with and come up that way. It’s just really important to feel those things before you put someone else through that.

Dexx: Okay, so on that subject, are you mentoring anybody yourself?

Bella: A bit. I feel like I mentor people all the time, I don’t have any current women that are training underneath me. I do look a the Domme Collective which is an amazing group of women and we all kind of train each other. Isabella Sinclair is the mistress and there are a couple other mistresses that are on her level because it’s a tiered system, so it’s myself, Anh Lee, Betty Bondage. I think those are all the senior dommes. So we all kind of pitch in and train the women.

Dexx: So, What brought you to Los Angeles from Chicago?

Bella: The weather. The weather did that. I love Chicago, I miss that city every day. I went back for Thanksgiving and almost didn’t come back to LA but the last time I was there, there was something called a polar vortex, which I’m not sure if you’ve heard of, but it was 50 below zero. The juices in my vagina froze and I was just like… it’s terrible when you get to a point when you know the juice in my eyeballs and nostrils freezing is normal, but when the juice in your labia starts to freeze, it’s like this is not livable. These are not livable human conditions.

Dexx: This was just last year you came out?

Bella: No, it was the winter of 2013/2014. I’ll never forget that.

Dexx: How have you found the scene in the lifestyle in Los Angeles since arriving here?

Bella: I think the best word I can use to describe it would be massive. There are so many dungeons and so many mistresses and so many BDSM clubs that are just lifestyle. There’s just so much to take in. Chicago’s definitely a smaller scene. It’s still quite a bit more underground. When I left a couple years ago, I think the only mistresses that were producing videos on a regular basis were the mistresses of the studio so Alexandria Sadista, Mistress Simone, and Maya Sinstress. And then when I moved here, it was like everyone has clips for sale, everyone was doing online videos and that just wasn’t a thing that we were doing as readily back in Chicago. But the good thing about LA is there is definitely something for everyone. I feel like there’s a munch every single day. The Chicago scene was a little bit harder to crack.

Dexx: And how did you get involved in Isabella Sinclaire and Ivy Manor?

Bella: Actually through Sir Nic, he introduced me. He’s like my annoying brother and we fight all the time, we both have prickly dog fights about things, but I was transitioning out of Sanctuary and it was suggested to me when I moved to Los Angeles the best way to really get to know a scene is to join a house and Mistress Cyan is pretty infamous for all of the things she does and I had seen her from DomCon, so I had started working at Sanctuary and realized that the traditional house life was not for me. I’m a little bit too busy to be in one place for that long, so I was not really sure what I wanted to do from there. And Nic introduced me to Isabella Sinclair who I had been following her videos and her everything for as long as I had been in the scene and I knew this is where I needed to be. It was like a little bit of a fangirl moment when I met her but she is so human, just a genuine authentic being.

Dexx: That’s great. So the Ivy Manor is a private dungeon but it’s also a collective, as you were saying? How does that work?

Bella: When I joined the Ivy Manor, it was definitely private. It was all private. When you rented the space, you got the entire space to yourself and there were maybe 6 other mistresses sessioning out of there. The things that Isabella Sinclaire is doing, is she just gets so many people who want her to mentor them all the time that she was like, why don’t I make this into almost a house, but it’s not traditional in that the women can kind of come and go as they please. There’s not a lot of sitting around the dungeon for multiple hours. Isabella does very hands on training, so with the newer trainees who are very green, she has them do 2 hour medical play, 2 hour bondage. There’s a really rigorous instruction period before they can even get the trainee status. But it’s independent mistresses working out of one space. The greatest thing about it for me is that we have somebody on call all the time who takes the phone calls and does the appointment booking, which is really helpful because I am so swamped I can’t get to emails as much as I would like.

Dexx: It seems like not only within your collective, but more broadly, at least in LA with pro-Dommes, there seems to be this real spirit of supporting each other as opposed to competing.

Bella: for the most part, yes. I think a lot of the girls that don’t have the mentorship, you know a lot of people get into this scene for money. They think it’s going to be easy money or they like that they get to be bitchy in certain aspects, but any Domme worth their salt, that’s what it’s about. It’s about empowering each other and building each other up.

Dexx: The clients that you have, are they typically regulars that will see you often or do they try it out and then you never see them again?

Belal: It’s a mix of both. I have regulars who I see either on a weekly or monthly basis. My issue is that I travel so often that I just don’t have time to see clients as regularly as they would like. So mine are mostly like once a month, or once every 2 month situations. But I do get a lot of first timers, I think because my aesthetic is very normal looking, very Stepford Housewife, very girl next door and they’re like, oh I can see her and she’ll be normal. So it’s a good entryway for people.

Dexx: Less scary perhaps?

Bella: Yeah, then they get in a session with me and..

Dexx: (Laughs) It’s a mistake.

Bella: Yeah, I definitely always start really easily and I’m very kind with first time clients, but I think people are mistaken by my bubbly demeanor and the blondeness that I’m not as insane as I am.

Dexx: So, when you get a new client, how much do you wait to do the things that you like to do and you specialize in versus the things they request and are looking for?

Bella: I think that is the biggest difference between lifestyle and professional. When I’m working with a client, they are paying for that hour and they are paying for an experience. I also don’t agree with doing things that I am not interested in. I have my specialties and my interests listed on my website. They can say, hey, I’m interested in XYZ and we try to involve things on mutual ground. I feel like if you do things where you’re just, “I’m not into this, this doesn’t get me off” I know mistresses that just don’t do medical play because they’re not into it. And I also know mistresses that do medical play but they hate it and I think that’s what’s going to kill your soul eventually and a client can tell. So definitely, with my professional sessions cater to mutual interest. I never cater to just theirs.bella2

Dexx: What are your main things that you focus on, is it bondage? Is it D/s? Is it pain?

Bella: D/s is mostly in my personal life. I definitely do D/s in sessions, but I don’t feel like there’s enough time in an hour long session to really implement the kind of power exchange and energy exchange that you need, it can be done, but I definitely like my D/s with a little bit more depth. I’m a sadist, in my heart of hearts, that’s what gets me off. Medical play, I love medical play. Sissification, the emasculation of men is just kind of what I’ve built my life around so being able to do that for someone, it just makes my heart pitter patter, so those are my things that I really love. Cock and ball torture is fun, anything where I can inflict pain, I adore, I adore that.

Dexx: I’m sure that there are plenty of people out there for whom they get reciprocal pleasure in equal amounts.

Bella: Yeah, there is no shortage of that in Los Angeles.

Dexx: it seems like bondage is something that gets less attention from pro Dommes that I’ve spoken to. They’ve seemed to be more into the things that you just described. Is that something that you think is underserved by the market?

Bella: I definitely think that bondage is a specific fetish. I personally love bondage, I like to have people in really uncomfortable positions. I love the beauty of bondage. My rope work is good, it’s not as great as I would like it to be, but I also love saran wrap. Saran wrap is one of my favorite things. I do think it is underserved though. Again, when you are looking at professionals who…sometimes when we have a client who wants a longer session, but when you have an hour long session and they have a full list of things that they’re like, hey I want to try this out, bondage can eat up, easily 40 minutes to do a comprehensive, good tie.

Dexx: I was talking to another pro Domme recently about the strange aspect of the lifestyle that you’re disconnected from many people’s “other life”, their family, their friends. So when somebody passes away, we sometimes don’t hear about it, we just don’t see them anymore.

Bella: Yes, they just kind of disappear into the ether. That’s been a hard thing for me. What we do is so intimate. I get the most intimate details of people’s lives. Things they aren’t telling their friends, they aren’t telling their wives, they’re not telling anyone else, especially clients you see long term, you have this really intense connection. There was this one client I saw at Sanctuary like clockwork. Every Wednesday at 11 am, he had this very specific session and he was much older and I was always worried in the session that one day his heart was going to give out and that was terrifying. When I left, he hadn’t been in there in a couple months and it was just this thought; no one’s going to call the mistress when they pass away. But I think that’s where the professional remove comes in and the difference with pro and lifestyle. When they walk out of my dungeon, they walk out of my space. Our energy exchange is over and that is why they’re seeing me as a professional and not as a partner or as a lifestyle type exchange. So having that professional remove and kind of having that compartmentalization is helpful in those situations, but it doesn’t ease the discomfort of the, “I don’t know if this person who I’ve had an intimate exchange with for a couple years is alive or not.” It feels unresolved.

Dexx: Yeah, that is unusual. So, you mentioned how intimate a relationship you can have with your clients and does the fact that you have these conversations that maybe not even their wives are aware of, does that bother you that these people are doing these things that are outside of their relationship, or does it not really concern you?

Bella: You know, I actually think that that’s part of the erotic nature of seeing a professional dominatrix, it’s that taboo that can be attractive. I also look at it from the perspective that a lot of these men may have children and they may have certain religious beliefs that make it not okay for them to explore in their personal lives and we get to provide something that no one else can. Especially when it comes to the really taboo stuff, like when you’re talking about race place, or really severe play like that, can you imagine how hard it would be for some vanilla dude to go to his wife and say, “hey, I want these really intense things, hey I want you to tell me how you’re going to make me suck another man’s cock.” And go back to being the man of the household afterward. It’s sometimes easier to do it with almost a virtual stranger and have that remove, have that confidentiality than it would be to have it with an intimate partner.

There’s so much stigma with BDSM still, things are changing a bit, we’re not in “the BDSM is a disorder,” any longer, kind of vaguely, they changed the wording, but still, there’s so much stigma and looking at case histories, I know somebody who’s really involved in the scene and is fighting for custody of his children, so he’s not able to go out in public without a mask on. He can’t be really out about a lot of the things that he loves and he’s it’s ingrained because his ex wife would take his children away. So when you look at things like that, you don’t know everyone’s stories, you don’t know the ins and outs and I don’t believe in shaming my clients for coming to see me, and I don’t have that moral high ground where it’s like, you should be exploring this with your wife because sometimes it’s just not possible.

Dexx: It seems like for a lot of your exposure to BDSM now is through professional interactions. Do you still get to any lifestyle public play parties and play for fun? Or is it all work for you now?

Bella: I play at home, I play at home for fun. My issue with the lifestyle public parties is that because I am so well recognized in the scene, and because I do it professionally, I have to be on all the time. They’re watching you as a professional, they’re watching you as a mistress from the Domme Collective, or a mistress from the Ivy Manor, and so many people would be demanding; can you spank me, can you do this, can you do that, and sometimes I just want to go home and beat the shit out of my girlfriend in private. So it’s harder to do it in public or at lifestyle events.

Dexx: I guess that’s the price of fame and success in the scene. (Laughs) In our little community, right? So, you’re a pre-med student?

Bella: Yes, I’m working on a Bachelor’s in Biological Sciences.

Dexx: How big of a focus is that for you with all of this other stuff you have going on?

Bella: In my tier of importance, it’s definitely the second most important thing in my life.

Dexx: Are you working toward eventually becoming a doctor?

Bella: Yes that’s the goal. After I finish this bachelor’s, which I have taken my time on, I’m not rushing my way through it because I want to live and enjoy life and I don’t want to be one of those people that turns everything off and then gets through school and is insane, so I’m taking my time with my bachelor’s because I know once med school starts, I’m not going to be able to be anything other than a med school student, but I’m planning on going into infectious diseases and working specifically in gay men’s health. That was one of the thigs with being so public and so out, is there’s a lot of places where I can no longer work. I probably couldn’t work with children. I’m probably not going to be able to work with any catholic teaching hospitals. I’m going to have to go to a public university like UCLA because there are just so many regulations on the code of ethics that they could call into question if I was ever outed, so I am working in gay men’s health, besides the fact that I love diseases, they’re my favorite thing ever, I love spill-over viruses and studying how those work, but working in gay men’s health, I can actually use my work as a dominatrix as a positive. There is a doctor in Los Angeles who is an ID doctor who was actually Mr. International Leather in 1988. He has that on his website.

Dexx: I don’t think I’ve ever heard of anybody saying that they loved diseases before, so that is a first. So, apart from the difficulties you mentioned about certain places that might not want to hire you because of being kinky and out, do you think there’s any issue within the education system itself, or getting certified as a doctor that could be a problem?
Bella: I don’t think so. It’s touchy, with the Hippocratic oath, that whole “Do no harm” but I also feel like harm is something in the eye of the beholder, like if you can cut someone open with a scalpel to help them heal from some kind of malady or perform surgery then I’m not any different than me wielding a whip and me helping them work through something in a different way.

Dexx: There are obviously a lot more Pro Dommes than there are male Pro Doms, but there do seem to be a few male Pro Doms out there. What do you think is behind the disparity?

Bella: My theory on this is, I also identify as a bit of a misandrist, so it’s probably going to go into that territory, but I believe that men do a lot of thinking with their cock. Men don’t do a lot of follow through, they don’t do a lot of research, they don’t want the emotional investment, so when they’re like hey I want to have this need served, hey I want to be tied up, hey I want to be pissed on, hey I need this specific thing, they’re willing to pay for it. Whereas women are a little bit more nuanced, and if I were a woman and I were a submissive and I wanted to find someone to serve these needs, there are a plethora of men that would do that for free, so I don’t think there are as many women willing to pay for it.

Dexx: It’s interesting because conversely there are lifestyle events where women will do those things for free but perhaps you might argue that they’re not doing it in as skilled a manner?

Bella: There’s also the aesthetic to it, right? If you’re a male seeking this sort of service, you’re paying for a fantasy and a lot of the dommes I know hold themselves to a very certain aesthetic, like they’re nails are always done, their hair is always done, they’re always dressed in a very specific way, and then when you have a lifestyle situation, the amount of money it costs, I mean a $400 whip, a $300 latex dress, then you want them to wear Louboutins and Cuban-heeled stockings. Men are just so usually tied up in the visual and creating that fantasy that it’s hard for lifestyle women to reflect that at that level.

Dexx: Do you or any other Dommes you know ever have female clients?

Bella: I do. I love my female clients. A lot of the mistresses I know have female clients. They aren’t quiet as available as the male clients but when we get them, it’s definitely an amazing exchange. I have a female client that I see that, she’s had some sexual trauma in her past and didn’t feel comfortable exploring a lot of the things that she was interested in with a man for the first time, so for our session she had all these things she was willing to try and this is where my rule of, I’m only doing things I’m interested in kind of went out the window, because I was able to show her, “Here’s how you do this, here’s how you do this safely, here’s what this is supposed to feel like and so she was able to go back into her life and take that knowledge and do it more safely with other partners.

Dexx: I’m sure the female clients still appreciate the nails and the Louboutins and stockings.

Bella: Oh they do! And the great thing about female clients is I prefer women in every aspect of my life, but I get to tell them to wear heels and wear lingerie and get them all dressed up for me, so I get to enjoy that part of it too.

Dexx: I’m sure there must be some satisfaction in that.

Bella: Oh there is.

Dexx: So, you go to a lot of fetish events all around the country, what’s your favorite.

Bella: MIL. Mr. International Leather.

Dexx: In Chicago?

Bella: Yes. That’s where my heart is always. That is a room full of sweaty old leather men that just have been doing this for, some of them 40 plus years.

Dexx: So, to clarify, that’s a gay event?

Bella: It is. And the pageant is amazing. Their pageantry system is beautiful. Seeing the lineage and knowledge that these men have, I love the boot black competitions, they also have a puppy play area, but they have classes and workshops and men in sobriety that are part of the leather community and that’s the place that they go and this is what leather means to me.

Dexx: You must be somewhat in the minority being a woman there.

Bella; I am yes. I also relish that too. I am such an exhibitionist and borderline, medium narcissist that the mistress that trained me, Von Livid, her and I always come up with ridiculous matching outfits for MIL, we get our outfits together for the whole week and they’re just dying over us because she’s my height, we’re both 5’11” and both very Barbie-esque figures and we show up in matching pony gear, or matching ridiculous latex outfits or matching ballerina latex outfits. And the men are just fawning over us. But besides that, straight events, Dom Com is really great, I love the informative aspect of that. I’d never been to the Fetish Factory party, the big anniversary party because it’s always MIL weekend, and it always takes priority. I would love to check that out someday.

Dexx: So you touched on sobriety in the scene and I found this as well, there’s actaully a number of people who are alcoholics or drug addicts in recovery and are no longer doing those things, to be clear, but they’re in the BDSM scene and for many people this is a way of achieving some sort of release, or some sort of a rush that they can get through BDSM and it helps them, to deal with that.

Bella: I’m 6 and a half years sober, I’ve been in the program for a while. I think for a lot of people that are in the scene, it’s even less about the endorphin rush than it is about the spirituality aspect about it, that deep connection with another human being. And a lot of people that are working certain sobriety programs, the honesty and the open mindedness and the willingness, even the sponsorship aspects of recovery bleeds over a lot to BDSM. Like I was saying, at MIL they have meetings every hour on the hour and hearing these men and the way that they’ve gone through these really intense pain and experiences and the way that BDSM has carried them through a really rough spot in their lives, it’s an intense form of community having the BDSM and the sobriety in tandem. I also was brought up that you can’t play safe, sane and consensual when you’re inebriated and I don’t expect anyone else to get fully sober, it’s a thing that works for me, but I don’t think that playing when you’re drunk, you can’t consent. You don’t have full awareness of what’s happening and when you imbibe in anything, your inhibitions are lower, your ability to communicate and all that.

Dexx: How well do you think it’s adhered to by the community at large?

Bella: It’s not. It’s hard when you see someone, you know, it’s different when you see someone that’s a little bit messy and playing, but you can also see things go horribly wrong, you can see someone get hit in the kidneys or you can see someone agree to something they never would agreed to and psychological damage can ensue.

Dexx: You mentioned before that videos are a pretty big part of being a pro domme, if you want to become known. A lot of those are adult videos, do you consider yourself therefore, to be a porn star?

Bella: No, no I don’t. I was actually discussing this with someone last night. I think that, the scenes that I do, and all the video that I’ve done, I have directed either completely or been able to set the scene and choose who I’m working with. Also with being a fem dom, there’s not a lot of vulnerability on my end, like when I see the women that do porn, I commend them so much because I can’t imagine showing up to work one day having someone slated to work with and being able to have that kind of emotional exchange. I guess I’d be porn starlet because it’s just not as physically involved. I guess I’m getting pretty well known in the video scene, I just had my first cover come out for Severe Society’s Perversion and Punishment, which is pretty exciting, and I didn’t know it was going to video and it popped up on my twitter and I was like, there’s me and Cybill Troy on the cover just smashing some dude’s balls and then there were scenes from all the clips that I did which is pretty awesome. But that’s one of the best ways to market, with photoshop, I talk to a lot of my clients about what they look for when they’re seeing a pro dom, and they say if there’re no videos out there I can’t really trust it. You’ll get a photoshop photo of a girl that maybe was 10 years ago and you show up to a session and she looks nothing like that, or she describes herself to be one way and you get to the session and it’s not her demeanor, whereas my clients get to view my videos, see how I play, see how I sound, see how I interact and know that going into it, which is really great.

Dexx: It seems like, as you kind of mentioned, there’re a lot of pro dommes popping up, and some of those I think, are porn stars…

Bella: Yeah, doing the transition…

Dexx: Do you think there’s been a bit of a wild west of pro dommes that haven’t really been properly trained?
Bella: Yeah, you know it’s interesting. I’m dating this Suzy Q James, who is a porn star from San Francisco, and she works for the Free Speech Coalition and she’s super activist sex worker porn star and you know, I was actually talking to her after a panel that I did with Justine Cross, Natalie West, and Isabella Sinclaire, and we were talking about this, the new dommes that were coming up. There are some people that really crassly refer to the newer girls as a hooker with the whip, so they’re escorts who are just like, I’m going to start offering this service. My perspective on it was that my ego was bruised that these women were coming up and I’ve trained and I’ve earned this title and I’ve done all of this work to get the mistress status and there are these girls who are coming up out of the woodwork who are willing to work for less than what I’m charging because they don’t have the experience and it’s undercutting what I’m able to do and Suzie, my wonderful San Francisco girlfriend, pointed out that we’re supposed to be empowering each other and some women just don’t have the financial means to train the way we did. Some women don’t have an in to the community like I did. And you know, a lot of the classes that I took, I paid a lot of money for. I spend a lot of money yearly on classes, perfecting my class, and some women just can’t afford that. So, it’s hard to do this long term if you don’t have a vested interest in it and there are a lot of women coming out of the woodwork that don’t necessarily have the training. But if they stick around, they’ve obviously found some passion in it, so I try not to be judgmental about that because they’re just trying to do literally the best they can with what they have.

Dexx: That’s fair. What do you think that means for a perspective client that wants to find a mistress? How do they sort through that to find a true, properly trained mistress?

Bella: You know, the videos help, right? You can see a reputable mistress. Everyone knows who Isabella Sinclair is, everyone knows who Lady Hillary at the Dominian is, everyone knows who Mistress Cyan is. So you find women that train under that if you want something specific, but there are a lot of people that are like, I’m not really willing to pay for this, but I want it at the cheapest dollar amount possible. They’ll go to experience the session and it may not be what they wanted, and it may not be what they were looking for, and they do a little bit more research. It definitely muddles the pool of women and it’s harder to distinguish, I imagine, for potential clients, but if they’re willing to do the research and willing to put the time in, they’ll find what they’re looking for.

Dexx: Are you out to everybody in your life?

Bella: I am. My mom knows what I do. My dad knows what I do. I had a submissive for several years, but when I told my mom that she was living with me my mom was like, “you know, I don’t know a lot about this, but I have seen a lot of SVU, do you ever let her out of the basement?” I was like, she doesn’t live in the basement mom, but my parents get it, they’re just proud of whatever it is that I do and as long as I’m happy and I’m being safe that’s all they really care about.
Dexx: Are they aware that you’ve kind of risen to become pretty successful within this particular niche?
Bella: My mom is. She stalks me on the internet sometimes.I was actually on the cover of the Fight magazine, which is actually a local gay magazine and they chose me as one of the 5 people to represent the LGBTQ community and I sent her a copy of that and she kind of lost her mind, so she’s proud of me. She’s shocked sometimes but she’s just like whatever makes you happy.

Dexx: That’s fantastic.

Bella: Yeah, my dad, who I refer to as my father, is my stepdad and he’s wonderful. My biological side of the family is not…my biological father is not interested in anything that I do and we don’t have a lot of contact. A lot of that is because there’s a lot of judgement and a lot of religion.

Dexx: It doesn’t mix well with BDSM.

Bella: But growing up with it, gave me a wonderful religious play fetish, so there’s that.

Dexx: I’m sure you’ve got some nun outfits.

Bella: I do, yeah.

Dexx: Has your profession, your pro work, ever caused difficulties for you with romantic relationships?

Bella: You know it’s interesting, my last relationship, my last romantic relationship was with someone I met in a dungeon. She was working as a professional submissive and that’s sort of where our relationship was born. I don’t think I could have a relationship with someone who wasn’t in the scene in some capacity. I don’t think it would work. So, I haven’t personally had any problems with it, because I just keep in the pool of all this. It is hard though, and it’s not the scene specifically, but just the amount of play I have to do publicly, and the amount of traveling and being on all the time, it is hard sometimes to come home sometimes and be like, alright, I’ve been beating people for 12 hours and then want to have that interaction with your partner, so it’s good that my current partner Suzie, she’s also been in the sex work life and she gets it. She’s like, let me just make you some tea and we can cuddle, so that’s great too.
Dexx: Do you have any new projects that you’re working on at the moment?

Bella: What am I working on right now…It’s not a new project, but it’s a big part of my heart. The event that I do at Bar Sinister monthly, I host an event called FemDom Fatale, that event started when I was working at Sanctuary. I was a guest mistress in the upstairs in the purgatory, and that’s where a lot of people go for their first introduction to BDSM and they’re not really ready to go to a full on club, and they’re not really ready to book a full on session, and they just want to dip their toes in. Paul and Phoenix are amazing but I wanted to bring some female energy into there, and they liked me so much that they moved me from upstairs in the play area to the main stage and over the past few years it’s grown into an amazing, crazy, shit show of awesome and they do monthly themed events and we’ve done everything from Harry Potter to Alice in Wonderland. We do a circus themed show, we do military and medical, and the people get really dressed up, the crowd gets really into it and we do live stage play all night, which is really great, because they get to play with some of the best mistresses in the city. They do it for the tips, but they get to experience something publicly and safely which is great. And we also do performances, so all the mistresses I work with are all either burlesque or side show, some kind of weird performances, so at 12:30 and 1:30 we do like a big show, so it’s really cool to see that it’s gone from something little to this huge thing, and when we do the shows it’s standing room only, it’s one of the biggest shows at Bar Sinister.

Dexx: I noticed some other mistresses that also do kind of burlesque style performances and some belly dancing, some things like that. Do you think that there’s a contradiction between this sort of aesthetic objectification of that sort of work versus the image that you’re building as a Dominatrix?

Bella: You know, I think that’s where a lot of people get all fucked up in seeing being a dominant as an image. For me being a dominant means doing whatever the fuck I want to do when I want to do it. Whether I want to get naked on stage, whether I want to instruct one of my female submissives to fuck me, whatever I do, I do it in dominant fashion. And that’s where I think that the ego and dominant thing is confused. If I want to get butt ass naked on stage and cover myself in paint and climb into a balloon, I’m still doing that from my perspective, and I think that objectification and empowerment is just who is holding that and for me again, I’m a huge exhibitionist, when I walk on stage, often times my clients will be at the show, they also realize I would never get naked for them in a session. They’re never going to be able to touch me naked, so it’s also an extended tease and denial. I mean, that’s the thing with being a dominant is I can do whatever the fuck I want with my body. It’s not for anyone else, this is a thing I’m doing for me. And I just don’t care enough about the old guard…some mistresses are like oh you can’t do that, you can’t do that. And I’m just like, but I can. If I didn’t, that would be me submitting to your thoughts and your processes.

Dexx: I get that you like to travel internationally. Have you been anywhere interesting recently?

Bella: Let me see, last august I spent in Nepal with Snow Mercy, we were doing some really good work out there for an organization called All Hands, and that was no makeup, really gritty, but the last week we were there, we actually rode an elephant through the Chitwan Jungle, which was amazing. And then I went to Jamaica, Tokyo, I travel back and forth across the states, and then I’m actually headed to Bangkok at the end of January.

Dexx: I know some of the serious shibari guys around LA often go to Japan and learn from some of the masters there.

Bella: You know what’s interesting is Snow and I did not do anything super fetishy when we were in Japan, we just ate amazing food and we explored the town and went to a Goat Café and a Cat Café and the Hachiko Station. If I go back again, I’d like to experience it but we’re so blessed living in LA that we have masters in everything in this. When I go to another country, I really want to experience what that life is like.

Dexx: And maybe take a break from kink as well.

Bella: Right. I mean, Snow and I did do a Mistresses Without Borders project when we were in Nepal, and found some good uses for some Nepal rice spoons and things like that, but it’s so much a part of who I am I don’t need to seek that out in other countries. If I’m with a partner, we’ll play but I would love to go to Germany and do a fetish club there because that is a part of that culture. But I’m more about experiencing everything else. I am twat deep in kink all the time here, just everywhere.

Dexx: So, the Fifty Shades sequel came our recently. Any thoughts on that?

Bella: You know, I managed a sex toy store in Chicago called Taboo Taboo and I was working there when the first book came out and there were women coming in being like, I want these little silver balls that people can put in to spank me…I’m like kea gals? Like what the hell are you talking about. So we all had to actually read the books to see what the fuck they were talking about. I have just so many mixed feelings on that. I feel like it is a terrible representation of a D/s relationship. It is abusive and manipulative and I am so fucking tired of seeing straight white male doms portrayed in the media. I would love to just see a sane female domme in the media, once, maybe that’s not triggered by emotional abuse or inflicting emotional abuse, that’d be great. But what it has done is that I think it’s opened the door for a lot of people that wouldn’t have discussed it publicly. I definitely think there are couples in fucking Wichita, Kansas that watched the movie together and can now be like, “Hey, Billie, can I get a gang bang?” So I definitely think it’s opened doors in areas that wouldn’t have been opened previously. I think it had to be that super vanilla, cheesecake, stereotypical, hetero-fucking-normative situation with the rich dude and the virginal girl for it to be palatable, but now that that’s out there and those doors are opened, I think it’s going to give room for a lot more discussion and better actual art pieces to be done about it. But Sunny Megatron and Ken Burg are huge figures in the BDSM scene in Chicago and they’re the ones that taught me one of the biggest things that I carry into all of my scenes is that you don’t have to be serious all the time, I don’t have to wear head to toe black latex and leather. I can if I want to, but you can have fun with this. It’s supposed to be play. They also gave me my love for clown fetishes (laughs). Im actually world reknowned for my balloon bondage. Snow and I had a PlayboyTV special.

Dexx: Balloon Bondage…

Bella: Balloon Bondage, yeah, it was a PlayboyTV special. Snow and I teaching balloon bondage. But Sonny actually had a season of her show called sex with Sonny Megatron on Showtime. But it’s really great because she is, I’m not going to say an older woman, but she’s not a 21 year old woman who is real thin and looks a certain way. She’s gorgeous but she looks like a normal fucking human being and she has the greatest sex ever, so the show is all about her interviewing people about things like race play and bondage and she goes into these people’s lives and they sort of walk her through, or she’s helping them bring a fantasy to life. It was really cool to see something like that and see such intense fetishes portrayed on Showtime, so that’s a good thing, I’d recommend people checking it out.

Dexx: It’s getting to be more normalized. You reading anything good at the moment, or any good movies or shows that you like?

Bella: I just actually finished Jeanette Winterson’s Gut Symmetries, which was a beautiful book that one of my good friends suggested to me, which was just a medley of physics and words strung together like Chuck Palahniuk.
You know one of the things that feels like coming home to me is Chuck Palahniuk. His words just, if I were a book, that’s how I would read. So every time I try to read new novels, I end up hating them, but his books I end up reading over and over and over again. And shows, I’m a nerd, I do like Game of Thrones and Walking Dead. Fantastic Beasts just came out and that was awesome. Huge Harry Potter nerd.

Dexx: So, in terms of religious play, you would have liked the bit when the nasty nun finally got her comeuppance on GOT?

Bella: Oh my god, that was so funny. Because I was preparing for my last Fem Dom panel at Stockroom, I sent out this list of questions for the mistresses to be prepared with and Isabella Sinclaire was like, You know this is a little bit heavy. I do this because I like it. I do this because it feels good. It doesn’t need to have a big emotional cerebral…sometimes it just feels good. I’m like Isabella Sinclaire sounds like Cersei Lanister, this is great. This is great! And she wasn’t even doing it consciously, but it was just like that very, it feels good. It was amazing.

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Dexx: Cool, anything else that you’re working on?

Bella: I work with the Stockroom, I’m their offsite events coordinator, I travel with them, and do a lot of fetish events.

Dexx: So, tell me about how you got involved with Stockroom in the first place.

Bella: I actually worked with them during IML in Chicago, they would have a booth there, and this gentleman named Eddie Hibbs was running the store and when I moved to LA they offered me a job immediately, which was really great, and I worked in the retail boutique briefly, but I am not the greatest at customer service.

Dexx: The customer is not always right?

Bella: The customer is not always right, especially not in BDSM. You know, I love the knowledge of it, I love teaching, I love that aspect, but I moved up into this position where I get to travel and do things like Dom Com or Folsom and do off-site business.

Dexx: All on behalf of Stockroom?

Bella: Yeah, which is really fucking great, so I get to be a brand ambassador for them and travel to all these places. You know, Stockroom is still pretty widely known but a lot of people don’t see the full scope of what we have, so it’s fun to bring all of that to these events.

Dexx: They certainly seem to be kind of the giant of BDSM goods in the scene. They’re one of only a handful of brands that’s quite well known. The other dominant one, not in that space, but in the porn side, is Kink.com, of course.

Bella: I believe we’re actually working on a project with them, doing some custom stuff for the kink.com store. Which is really cool.

Dexx: So, Stockroom, I’ve covered them in a separate interview with Hudsy, but they seem to be doing really well, and generally founded by somebody who’s in the scene and does it because he loves it.

Bella: He really does. You know one of my favorite things about working in Stockroom is you get to see something from the inception of a design to completion and production, which is really amazing, so our lead designer, Joel, is like I want to do this thing with the neon wand, or I want too make this really awesome harness and let me get your feedback on it and here are the sketches and they travel and get the materials and you get to see it come to life. We also do a lot of studio services. We did the new X-men movie, we did a whole bunch of stuff with the Big Bang Theory. We designed the labcoats for West World. So it’s really cool to turn on the TV and be like, oh there’s our stuff, there’s our stuff again.

Dexx: It’s so funny that you designed the coats for West World because I was watching it and I thought that they looked a lot like the latex that we see in the scene.

Bella: You know office Christmas parties, how they’re jus the strangest? So we had our office Stockroom Christmas party last weekend and we had karaoke which was fascinating, so you get to see all of your favorite kinksters, like Joanna Angel was there, and Johnny White, and myself and Hudsy Hawn, and Betty Bondage, and everybody is drinking a little bit and singing karaoke and at one point, Hudsey Hawn is on stage and she’s singing and then she just stops. Have you watched the show? So she just stops moving and it’s just quiet. The sound stops. Joel comes out in full west world, I mean, he’s got the hat, he’s got the lab coat, he’s got the gloves, he’s got a clipboard and they did this whole shtick where Joel pulled Hudsy off stage while she was stationery, it was really fun and really silly. But you get to have moments like that which is amazing.

Dexx: Cool, so it seems like you’re pretty much living your dream life at the moment.

Bella: Yeah, I’m definitely living my best life.

Dexx: Congratulations on achieving everything that you have.

Bella: Thank you.

Bella Bathory is a lifestyle and professional Domme in Los Angeles. She hosts Femme Fatale at Bar Sinister once a month. She is a the Event Coordinator at Stockroom as well as an educator for Stockroom University.You can learn more and

Tagged With: bella bathory, interview, pro Domme

Dexx Interviews Mistress Cyan

May 15, 2017 By Desdemona 2 Comments

Cyan3

In honor of DomCon LA happening this weekend, we wanted to revisit this interview from last year’s DomCon issue. Mistress Cyan is the creator and visionary behind DomCon LA. You’ll get a glimpse of the history and importance of this annual event. Enjoy!

Dexx: You’re obviously a community leader, pioneer, and inspiration to a lot of the people in the BDSM community. I wanted to start at the beginning, when did you first come to realize you were kinky and have thoughts about BDSM?

Mistress Cyan: It actually goes back to when I was a kid, even just playing with friends; cowboys and Indians, cops and robbers. When you’d get captured for some reason it was almost a turn on about the restraint-either tying somebody up or being tied up whatever it was I didn’t even know what any of this was about but I knew I was attracted to it. I can remember even before having any sexual type of inclinations about doing self-bondage and just loving the feel of it all. Even to the point that at my age I grew up when they had the old Batman series and some of my favorite were the two parters and at the end of part one they would always be caught and there would be some kind of predicament thing. I thought that was so exciting. It’s something I think I was wired with. My upbringing was very normal. I had a good family, tight knit family. So there was nothing going on that was traumatic or anything else. I’ve looked back on it if there was anything that would have influenced me. I just can remember from a young age being interested in it.

And certainly the same for me and many other people I’ve spoken to in the community. It just seems to be something we’re prewired with.

Yes and there’s nothing you can point to and go oooh maybe that spurred it. There were times when I first got into the community or lifestyle legitimately playing and I was interested in bondage but things like spanking or flogging, that was the furthest thing from my mind. I was at a play party and met some people and they wanted to do birthday spankings and my thought was no I don’t want to do this, I’m not into pain but they talked me into it and it turned out to be very erotic. It wasn’t what I thought it was going to be and it opened my mind up to eventually some flogging, etc. and all of it was bringing me to a subspace that I really enjoyed. Having been dominant in every area of my life and doing sports in school I felt that maybe this was like yin yang, that balance that you need, being submissive. So for years I was submissive, collared and everything. My Master at one point wanted to switch and I thought oh my god I don’t want to do this its not going to be any fun but we did and it just sparked something in me. This was really where I belong and identify as much as the subspace was really nice, this was what really resonates with me. But I think that has made me a much better dominant, being on that submissive side and collared.

So once you made the change to being a dominant, was it a case that you didn’t look back?

Exactly, that relationship changed that night. The collar came off that night and in the last eighteen or twenty years whenever we have played I’ve always topped him. The whole dynamic changed.

You don’t miss being on the submissive side at all?

You know I was a professional bondage model up until just recently before I got sick and that satisfied that subspace thing. I’ve always been into bondage and I was actually a semifinalist for bondage model of the year for four years in a row. That kind of satisfied that. I still loved that. It’s enough to surrender rather than be submissive. It gets those endorphins and subspace and energy going.

How did you come to discover and join the scene itself?

When I started there was no internet. I had read things like Penthouse Forum and there was always one or two letters about kinky stuff and were very very erotic and it just resonated with me. So one day I got the courage to go to an adult bookstore. I explored some more of it and the whole world opened up to me essentially. I found a magazine that was basically just contacts, so I started to write and it was back in the days where you put a code number on the envelope and put it into another envelope and you send it to the publisher and they forward it. So I actually opened up a couple of conversations via mail with people who were local who were in the scene.

One of them invited me to a party. She said its my birthday and she says its important that you don’t tell anybody this is the first time we met because the people that are going to be here are vetted and everyone knows each other, it’s a very tight knit thing. But we’ve talked on the phone and via mail and I feel very comfortable with it. So I went to this party and it started out just like a birthday party but as time went on it was less and less people and I was thinking everyone left early and realized I hadn’t seen people leave through the front door. And I asked where’d everybody go and she said they’re out in the playroom. She said come with me and we went out and their garage was converted to a dungeon. We walked in and opened the door and all these BDSM scenes are going on and one of the first ones I see is this woman who’s suspended upside down, they’re dropping candle wax between her legs, she’s screaming bloody murder and I’m thinking to myself oh my god I gotta get out of here! I was still working in the corporate world and thinking if I get arrested or if this gets raided and she put her hand on my shoulder and said everything is consensual, everything is safe here, and everything is legal. When I watched that seen and they let her down there was just this warm embrace and great aftercare. It touched me, that closeness. It opened me up to exploring a little bit more. From that point on they introduced me to other people. And play parties back then that I was invited to, they had no places like Sanctuary or Lair it was all at peoples’ homes. I was just in heaven for four years with being on the sub side of things and looked forward to it. They were very nurturing and caring, all about safety, protocol, what you see and what you hear stays here. I felt that for the first time I could disclose things to them that I couldn’t even tell my closest friends. Unfortunately these days I think it’s more like information today is ammunition tomorrow with the internet. There’s less sense of responsibility to each other. But it opened up a whole world to me not only in the kink aspect but ethically and how you live your life as far as respect goes. It taught me a lot of things about the submission part, self control, self discipline. There were a lot of life lessons to be learned just from getting involved in it. But again it all went back to contacting people and asking questions and then having them open their arms and accepting me.

I guess for me having just come into the scene a lot more recently, it still seems to me like there’s now this wonderful community of people that you can open up to and talk to about things you’d never be able to say to people and generally without any fear that its going to come back to get you even despite the whole internet age which has been really nice.

I think that BDSM and the leather community have been integrating a little bit more because the leather community is all trust honor respect and the Old Guard. That goes a long way in how you live your life. We used to say BDSM is what we do, leather is who we are. I think in the last five years I’ve seen the two communities integrate a little bit better. I think some of the BDSM communities are starting to realize some of the ethical and lifestyle things of the leather community.

You talked about how you discovered your dominant side and then was it some time after that that you then actually transitioned into being a Pro-Dominant?

Yes, it was years actually. There was a dungeon in Los Angeles called 665 and many years ago they used to have a play space down in east Hollywood across from a church. I would go there and play and I got to meet people. I got mentored on how to do some of the stuff I did. Eventually met more people in 1986 I believe and moved in with some friends in Riverside. They had a big five bedroom two story house on an acre and a half of land and there’d be a party every second week of the month. I started getting entrenched in the lifestyle part of it and one day in I think 1991 somebody invited me to participate in doing a scene with them. I did it and it was like wow this was great we get to play and do all this stuff and I can actually get paid too that’s amazing! This is great! But my thought of ever doing it professionally was not even in the picture.

My background coming out of college; I worked myself up from a low level position to a director of operations for a 3.4 billion dollar company. Then when at one point the company relocated to North Carolina I chose not to. I was also managing bands at the time, so I went to full time doing that for years, so being a pro was a past time for me. In 94’ I met someone at a party and she invited me over to her space to see it and asked me if I’d be interested in working with her and partnering on the dungeon. So we started this little dungeon in Glendale. And as I started going, the interest in the Domination did not wan. It seemed like it fueled it. I enjoyed meeting people and playing with new people. So I made the decision to stop managing bands and concentrate on Pro-Domming and that’s what I’ve done ever since.

And did you have any particular influences or mentors during that period that helped you?

Yes actually there was one Pro-Domme who’s actually now retired named Jennifer Antone. She was a big influence. When I was submissive she had been playing with me and then taught me. But there were people that were teaching at Society of Janus and TES in the east coast and those were some of my mentors. Not just technique but what you’re trying to accomplish from it and having experienced it I could understand it. I felt that I had really good mentoring and training. When I started to do it professionally, the clients that I had would come to me about how there was magic between us, how I could sense it. What I realized I had learned through my experiences as being a submissive and being mentored is that when I was playing with someone, their body would speak to me more than their words were. If I really paid attention their body would tell me how far to go. That made them want to come back and see me. That launched my career.

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In your time of both personal and professional play do you have any particular memorable or creative scenes that you’ve been involved in?

Actually for me almost all of my scenes are memorable in a way. I’ve had some pretty crazy ones. I had one guy come in and want to do an interrogation scene and he wanted it to be very intense, be threatened and shot-to actually be shot. I’m a pretty creative person. He said nobody would do this and I said ok I’ll do it. He was kind of shy and we planned a date. He came over and we started doing this whole interrogation scene and what I’d done was get a paint ball gun and red paint balls. We’re doing the whole scene wanting him to talk and him not wanting to talk so finally I drag him into the main room and put him up and pull out this gun and all of a sudden the fear of God is in his eyes. I start telling him I’m going to shoot him, but he has one more chance. He’s thinking as scary as this is I’m not really going to do it. He declines so I shot him with the paint ball gun. All of a sudden VOOM! the projectile hits him and the red splatters! He was just blown away with it and it was one of those scenes that was a roleplay that really took a life of its own and went there. What heightened it all for him was because he wasn’t expecting it to really happen. He was expecting it to be a toy or something. The effect of the paintball and visual of the red was very intense. It was just an amazing scene.

Did he talk!?

(Laughs) At that point he was talking more saying thank you mistress that was incredible!

So I know that the Sanctuary space used to be Passive Arts and that ended with a a particularly tragic incident and I guess I’m curious to know what impact that had on the LA community?

Severe. Severe. I was very close with John who owned Passive Arts and as a matter of fact I had done some of my fundraisers here. John was a really great person, he cared about the community, he cared about making people happy. So when the tragedy happened it was pretty devastating. A large part of the community felt a big loss. Not only the loss of John but this place was so big it held so many people this was like home to so many people. And the estate contacted me and said we’ve got a lot of people coming here with money and want to redo it but we don’t think any of them are doing it for the right reasons. It looks like it’s a financial investment that people want to make that think it’s a cash cow and we know you were close with John and you’ve got a good reputation and in a nutshell we would like to find out if you would be interested in taking the space over.

Up until then I thought there was no way I could ever do that. I don’t know if I could take it and feel good inside, benefiting from the loss of somebody else. They explained to me if there was anybody John would want to take it over it would be me. So I got a couple of investors together and we scraped up enough to get the thing open again. The community has been very supportive. My commitment to the estate was that Passive Arts was Passive Arts and it couldn’t be replaced so what my goal here at Sanctuary was to take what John had to the next level. I’d bring it to another stage of its evolution.

And do you feel that you’ve achieved that objective?

Yes I do. And I’ve gotten that from the community but its still a work in progress and every day, every month we’re doing something different. Where we wanted to be is still not there but despite what people might think this is not a cash cow, we don’t get rich here (laughs) and having been in the corporate world I understand about growth and if you grow too fast it can be bad. So we try to maintain our budget and grow slowly and put money back into the business that we can afford to. But we’d rather take baby steps to get to the big goal rather than do it all at once and stumble and have something happen where we have to close the doors.

Most dungeons seem either cater to lifestylers or professionals. But clearly here you cater to both. Why do you think other dungeons don’t do that and do you think that that’s presented any unique challenges to you?

Number one I cant say why people don’t do it I can only say for me since the year 2000 I’ve been actively promoting truth in this. Kind of like the story about how I started DomCon. I was in a Yahoo group, a BDSM group and one day I went to log on I couldn’t log on, it said I wasn’t allowed. I thought I’d forgotten the password. So I contacted the moderator and she responded and said well you’ve been banned because you’re a professional and this is a lifestyle group. And I said I’ve been doing lifestyle for ten years, I’m lifestyle before I’m professional I just happen to be able to choose a career that I happen to be able to live with and not have this as a job as a life. They said sorry there are no professionals. So I started setting my goals on trying to change that. That’s how I came up with the concept of DomCon because it’s professional and lifestyle.

But as far as the dungeon goes, there was no reason why the professional people and lifestyle people cant mingle. My philosophy if you’re going to be a successful professional it has to be something that you love. A kid can watch Kobe Bryant play basketball and find out he makes fifty million dollars and if he’s motivated by money and says oh I’m going to do that playing basketball, if he doesn’t like doing it he’s not going to be very successful with it. If he loves basketball he’s going to do well and succeed. The same thing with our business. If you don’t like what you’re doing or doing it for the money you don’t last. It was not a way to get rich quick. So most professionals are lifestyle people who came from the lifestyle. They didn’t just decide one day they’re going to wake up and be a pro. And those that have generally aren’t around. Some simple guidelines for my staff, my pros know that in our lifestyle parties its not about soliciting, its not about business, its about the lifestyle. If you come to the parties you’re here to play. You’re not here on business or anything like that. And during the day we treat it as a job, as work. So there’s a certain amount of separation even though the venue itself caters to professional, lifestyle, and also we’ve got promoters coming and doing men only parties so we have the gay and lesbian and pansexual communities, we’ve got classes and workshops so we’ve been able to use the facility because of its size to incorporate and try to do more of a community center of BDSM so we can bring people together.
You asked me about the complications there have been some. There are some people that say oh that’s a pro dungeon you don’t want to go there its just a pro dungeon or we keep trying to get categorized in one thing but we try to not be categorized. We’ve had weddings here. We’ve had memorials. As being the biggest dungeon in Los Angeles we feel we also have a responsibility to community. That’s one of the reasons why I think we try to do so much.

I guess my other question would be clearly almost all of the professionals you see are women, is there any demand for male pros?

Not very much. And the reason I think is that they –and there are exceptions-in general some of the fantasies that submissive guys have as far as seeing a master is sexual. And being a professional dominant in a professional field we cant cross sexual lines. There cant be oral/genital contact or penetration. And I’ve experienced the same thing even as transsexual. They seem to think that well if somebody hasn’t had their surgery they can? And that’s what’s attracting them. Most female dominants that they see they know there’s not going to be sex involved and they’re going for the BDSM part of it where if it’s a male or somebody who’s transgendered they assume there can be more to it and it can fulfill some other fantasies and when they found out they cant it’s the sexual fantasy rather than BDSM that attracts them so most men would do some sessions but there are very few out there that can make a career out of it.

You’ve suggested based on that answer that most clients are men is that true?

Yes.

So very few women would come through for pro sessions?

I would say that we’ve got about 85-90% men. We have some couples that come in who are exploring and because of movies like Fifty Shades and things like that that opens up a door of curiosity and they’ll come here and they can meet with a Domme and get walked through it or both experience a scene being flogged or bondage, those kind of things. Or if they’re dominants they can come and play with a submissive because they may not be able to find somebody.

Have you had some challenges from employing so many professional Dommes and subs under one roof?

(laughs) Yea, like herding cats sometimes. There can be drama. When you’ve got forty women working for you it can be challenging. And not everyone sees eye to eye as far as personalities. But generally, as a rule the challenges are minor. As I’ve said I come from a large corporation and I dealt with different challenges. Whatever it is you’re going to find it. Here its more of a sisterhood or family. New girls that come in get taken under our wings and taught technique. We work with them.

I’ve spoken with several different people in the community some of whom work for you, others who don’t who have mentioned you as a mentor. Is that something you think you’ve been drawn to?

Again this goes way back to the old way before the internet. When I first came into it you got in by meeting somebody and I was taught no body ever charged me. Nobody ever said yea I’ll show you how to flog if you schedule time with me. It was all about showing me. Back then there were no classes like there are today so it was impressed upon me, our community is going to grow because we pass on the knowledge and experience. So we’re investing our time in teaching you, we expect you to spend your time teaching somebody else and they’re going to teach somebody else. So I’ve always been in a mentoring capacity. In 2007 the LA Leather Coalition awarded me the mentor of the year. I was very honored two years ago LA weekly wrote an article on me calling me the most respected Dominatrix in Los Angeles. A lot of it is because it feels very rewarding to give back. And I love it when I see somebody who sees me florentine and says oh I can never do that and you’re working with them and they get it down and its just a pleasure to know you’ve helped them on a journey. Unfortunately I don’t have the time and energy to teach one on one as many people as I would like to. We do a lot of fundraising and charity events and that gives you a feeling inside that can’t be replaced just like teaching does. I’ve been a guest speaking at UCLA, Long Beach State, Occidental College, Northridge and I’m scheduled at a three day speaking engagement at Stanford later in the year. It’s very exciting because it seems like the colleges are opening up so that stigma of what we do is being put more in perspective and then understanding is coming and its not all about being sick. They’re trying to understand.

Do you run into any difficulties with local government or law enforcement?

No. One of the things here is we’ve been the only dungeon in LA and probably in the country that actually has our address running on our websites. We’re totally above board. We don’t do anything that crosses lines legally so we have the support of our landlord and neighbors. The sheriffs, when they get a new officer they bring them down for a tour. For our parties they drive by and wave. They really watch out for us.

I see the district attorney’s card up there. (In Mistress Cyan’s office)

Yes! They’ve been very supportive. As a matter of fact when I was out having my cancer treatment they did a fundraiser and a lot of people showed up to the point that the parking lot was full and people were parking down the street. We have a guy who watches the parking lot and walks people out to their cars. He volunteered to drive people parked far away. So he was driving people and on one of the trips he got the red light on him and the sheriffs pulled him over and he thought uh oh. And the sheriff came up to the window and said do you work at Sanctuary and he said yes and they said tell Mistress Cyan we’re pulling for her. It really warmed my heart and surprised me and it sent a message to the people that were there that they are aware of what we do, they’re supportive and they care. We are very respectful. The fire department comes in checking the fire extinguishers. We try to do everything on the up and up and not do anything to cause trouble. There was a commitment I made to myself back in 1999 that I wasn’t going to put time and energy and money into space where we had to hide it because if I had a landlord or police coming in and shut us down all that was gone. So it’d be much better to be open and disclose everything and if we’re going to have a problem have it early on and not later.

Do you think that the law generally is working for people who are in the BDSM lifestyle in California and elsewhere or do you think there are any laws that need to be changed?

Well, I think that there’re a number of laws that should be changed. But in California in Los Angeles technically what we do is illegal because of domestic violence laws. Most states have a law that says you cannot consent to being assaulted and they passed that because in domestic violence the wife would get beat up and then wouldn’t want to press charges. So they enacted these laws that say even if she doesn’t press charges, the state can press charges. So essentially if we’re spanking someone we could be arrested even if both people say its consensual. But in Los Angeles and society as a whole are growing to learn the difference. There are some places in California and the country that that’s not the case. Unfortunately depending on where our future goes with the government there are some people that would like to see us not be able to do anything. There are some people who understand it and feel that the law should be expanded. We don’t do strap on play because its penetration. There’re a lot of people that come from Europe other Dommes and they’re so surprised when they get here for DomCon and say “You cant do that here?!” There’s a feeling in a lot of the industry that there should be a difference or something that’s loosened up a little bit. But then you get into a whole sociological situation about what is prostitution. Right now pro domination has got a pretty clean cut line and we try as much as possible to maintain that image. But again the independents and there are people out there that do that and already do prostitution and will add BDSM so it tends to blur the line to some people who don’t know what we do.

I imagine its pretty hard to find a politician that will champion the loosening of BDSM laws when so many people who are into BDSM are unwilling to come out and say that publicly.

Yes. Again we have a mayor Gil Garcetti who is very open. We just finished the LA Leather week here. He’s been very supportive. He gave one of the gay leather bars The Bullet an accommodation for their service and commitment to the community for the last twenty two years. I’ve got something out here that I received back in 2007 from the City of West Hollywood, an accommodation for leadership and community support. There is a lot of them that are but for every one that is willing to champion the cause there’s a hundred who aren’t. In an election year you never know which way its going to go.

So lets talk about DomCon. You’ve been doing this for quite a while now?

Yes, this will be our thirteenth year. In LA and Atlanta.

You mentioned before about what inspired you to start it, wanting to create an event for both professionals and lifestylers.

Yes I wanted to bring it together because being from the lifestyle and being professional and knowing a lot of the other professionals who started in the lifestyle and trying to bring an understanding that if somebody is going to be a car mechanic, they don’t get up one day and decide they’re going to be a car mechanic. They go to school and learn. Instead of going to school for it we got involved in the lifestyle and we lived it kind of like on the job training. So it was very disturbing to feel that we were being not accepted by the lifestyle community. Also when I started I realized that some of the professionals were getting a little jaded after they had come out of the lifestyle and become professional feeling like maybe they were a little bit above the lifestyle people because lifestyle people do it once a week but we do this every day. So it was like lets try to bring something educational to bring people together to understand it. The first year or two it was a little challenging but when I first started I envisioned it as a nice LA event. I had no idea it was going to be this huge. But within three months it became a national event, it blossomed.

The very first one?

Yup! And we had people come from Europe and everything. One of the most satisfying things after we did the first one was the chatter online. The people talking about how they met some of the pros and we thought they were just all about the money but they’re real people, very polite and nice. And the professional community was talking about being really surprised. Some of the lifestlye people, the technique they had was amazing. So it kind of brought some of that together a little bit. It started out as just a Friday night meet and greet and then Saturday, Sunday convention and we expanded it out to four days and now its five.

Essentially DomCon was trying to have an educational event to bring people together, predominantly professional and lifestyle communities. Then start to integrate the other areas of alternative lifestyle; the leather community, gay/lesbian, anything that celebrates our commonality but respects our diversity. DomCon was never about trying to homogenize it. We’re not all one big happy family but we do share some things. Everybody fits in at Domcon

So DomCon must be some of the largest BDSM events in the country.

Yes. As a matter of fact we’re the largest professional and lifestyle Domination convention in the world. There’re some other fetish events that are much bigger but as far as what our niche is we are the biggest. This year we have people coming from Australia, Belgium, England, Mexico, all over.

DSC_0007

How many people are you expecting to attend?

Last year we had about 1500. This year I think this is going to be bigger because of the hotel rooms selling out much earlier. The buzz seems to be much greater this year.

You talked a little bit about some of the different subgroups within the BDSM community, do you think that now that we’re getting a lot of newcomers into the scene particularly in the last couple of years that there’s a clash of culture between some of the old guard and newer?

There was about two three years ago and what we noticed was that the times are changing and things are changing. Some of the more established Dommes have been doing this for ten or twenty years and are used to it a certain way and we started to realize that maybe there seems to be a bias between some of the newer Dommes that are calling themselves online Dommes. They get the comments that say they’re not real. How can you be Domme if it’s just an online thing. You know what, we cant allow our culture to fall into the same trap that it was twenty years ago when we started all of this. We started because there was a separation, there was inclusiveness. Just because there are things that are being done right now that weren’t done in the past, doesn’t mean they’re wrong or there should be judgment against them. Really what we should be doing is making sure that we embrace even though things are done differently now and there may be online domination or things that traditionally weren’t done. Doesn’t mean its wrong or not legitimate. I have an advisory board of ten pros and lifestyle people that are very experienced and we made a commitment; let’s not allow the convention or our professional community to walk into a judgmental thing. We embraced that. As a result some of the people that came to that are starting to teach some of the older pros who have been established about some of the online stuff and what can be done and they’re also learning now and going to class and learning techniques so instead of just doing virtual stuff they’re actually learning how to flog and about the safety and psychology.

So you touched on something which is interesting, online and financial domination. I guess from the outside it might appear to be something that is a scam. But in your experience is this a legitimate thing which some people are into and is satisfying to them?

Yes it is. One of the things we have to never forget is that with what we do both sides have to benefit. Whether it’s a personal relationship, D/s or BDSM. So if a Dominant is forcing you to give you their money that’s not going to last. The people who are into financial domination they for whatever reason are feeling some kind of fulfillment. I’m not in a position to judge why but they’re not being forced to do it. They’re doing it because they care about the person or its their way of submission or giving back. If financial domination exists and its an ongoing thing its because both parties are getting something out of it. It may very well be that the person who’s just sending money is having an online relationship. My experience is that financial domination isn’t about someone just writing a check and that’s it.

One criticism that is often made about BDSM is that it can be a haven for predators. Do you think there’s any truth in that?

I think there’s an element of truth in that. Again, the internet has opened us up to the world. When I was coming through it you had to walk in the footsteps of people. They taught you. These days, the internet teaches but its also opened a door to people who are predators and can go online and learn what you’re supposed to say and how to say it they can really lure somebody in. Our community the BDSM/fetish/leather is going to be like any other community. You’re going to have your good and your bad. You’re going to have some people that really care and others will be there to exploit. We’re not special. Just because we happen to be kinky doesn’t mean everyone has a halo and that’s why I’m a big advocate of doing classes. We have BDSM 101 classes here every Monday night for beginners. Just because someone calls themselves a Dom does not mean they’ve mastered the art of how to be a dominant person they’re just dominating someone. But realistically we’re just like any other community.

On more of a serious note I know you were diagnosed with cancer last year. How did that feel when you first heard that diagnosis, what was that experience like for you?

Very disturbing. Actually a little bit after DomCon I had a bit of a sore throat and I had a little lump in the side of my neck. I went to the doctor and they did a quick look, they checked for strep throat it wasn’t and the doctor said if it persists come back. So I waited about ten days and it wasn’t changing. I went back and a different doctor looked at me and said I see your right tonsil does not look good, its not normal. So they sent me to a specialist and they did a biopsy and a CAT scan and tests. They called and told me the biopsy came back as cancer. All of a sudden in a week’s worth of time, I’ve never had any health issues so I was disturbed and worried about it. My dad died of lung cancer, he smoked for forty years and I saw how he went and this is not the way I want to go. I’ve never smoked anything in my life, I live a healthy lifestyle and here I am being diagnosed with this. I immediately went online and researched what I was going to be going through. It was scary reading about chemo and radiation. I even went as far as to thinking if they tell me it’s really bad, I’m going to look into Oregon’s assisted suicide and have myself surrounded by friends and family and go peacefully on my own terms. Kaiser called and scheduled an appointment with a team of dentists and doctors and they told me it was a stage 4A and it was a slow cancer I’ve probably had over a year and didn’t know it. They said this was a type of cancer that responds well to treatment and rarely comes back. Their biggest concern was that I’m skinny and going through this treatment was really hard. If you don’t stay strong psychologically you’re going to give up. It was an experience, life changing. Last week I had my scan that confirmed I was cancer free, it’s all gone. The prognosis is that this cancer rarely returns. I’ll be sixty two next week and they expect me to live another twenty or thirty years and die of old age so it was a load off of my shoulders. I’m still working, I’m not 100% yet, I’m at about 75%.

You mentioned that the cancer impacted some of the projects you’ve had going on and amazingly you’ve carried on.

Well I’m surrounded by a lot of great people. All of the toy and food drives I do, everyone is always thanking me but if they didn’t come out to support then there wouldn’t be anything.

You mentioned before about the mental strength that helped get you through. Where do you think that comes from?

Well I think it’s realizing that people care and realizing that you contributed something to this world. There’re things that I’ve done over the years that have improved peoples’ lives or made their life better. Early on from the very beginning it’s about giving back. Nothing comes for free, you have to invest something. The investment I’ve made over time was about helping people and being there so when the time came that I needed help and support the people were there emotionally for me, people were there letting me know that I was missed that I meant something. It was knowing that all these years of helping people and giving to people, now I’m in a situation where I need their support and needed financial help. People told me they were pulling for me and I would be missed. That made me feel really good.

Or being a pioneer in the community itself and changing a lot of peoples’ lives and enabling them to come out and explore.

Yes, and I still think I can make more of a difference.

Mistress Cyan is a lifestyle and professional Dominatrix in Los Angeles. She is the owner of Sanctuary LAX, the largest dungeon in the greater Los Angeles area and the producer of DomCon LA and Atlanta. You can contact her here.

Tagged With: coming out, domcon, dominatrix, interview, Mistress Cyan

Dexx Interviews Nina Hartley

March 20, 2017 By Desdemona 3 Comments

You may have caught our three part interview with “Master of O” author Ernest Greene in previous issues of Kink Weekly. We were lucky enough to also interview his “better half” sex educator and adult actress Nina Hartley.

Nina Hartley
Nina Hartley

Dexx: So Nina, I gather that you are staunch advocate of porn and BDSM rights for people and sort of a spokesperson on those issues. What sort of lead to you feeling so passionately about those as a cause?

Nina: I come from a long line of social activists, going back to my mother’s father, who worked in civil rights in Alabama in the ‘30s and I grew up going to civil rights marches and anti war marches and women’s rights marches. That was in the San Francisco bay area in the ‘60s and ‘70s, ground zero for the human potential movement, black power, women’s power, earth day, anti-war and the Human Potential Movement. My father was blacklisted in the late ‘50s for being a communist, and I grew up in the aftermath of political persecution and seeing my parents pick up from the rubble and create another life for themselves. The idea of ongoing struggle for rights, for first amendment rights, and individual sexual rights was around me growing up. I’m the youngest by far and was exposed to my parent’s ongoing efforts to save their marriage. They did, in in no particular order, bio feedback, bio energetics, marriage counseling, group counseling, Reichian therapy, primal scream therapy, Tai-Chi, naked tai-chi and guided mescaline therapy. When I was 10 they discovered Zen Buddhism, where they stayed until they died, 46 years later. I understood from an early age that you could fight for the life you wanted, and it was honorable to also fight for the rights of others. Social activism was a thing for my whole family.

Ernest Greene: Why not the violin? (Laughs)

Nina: My dad said once, “Why sex, but not the violin?” and I just had to say that it was my Thing, the way Zen was his. He recalled that I came home from school one day and announced that I was an oddball. If I had been exclusively gay, I would probably have known that my “otherness” was about sex. I just knew I wasn’t like other kids. I never dreamt of *him*, I always dreamt of *them.* I never had Barbie and Ken weddings, I’d have Barbie orgies. From the age of 12, I had this idea of rooms full of naked people and soon thereafter determined to become competent and confident about sex. I’m a queer, bisexual, non-monogamous a top-heavy switch. I grew up with notion that I had the right to live my life the way I wanted and the responsibility to do it safely. When Roe vs. Wade was decided I was 14, and I knew at a bone deep level that unless a woman has control over fertility, she can never be equal to men. I’m happy to be a doting aunt and great-aunt.

If I wasn’t exhibitionistic or pretty enough for porn I would have been a midwife with a very kinky social life. I might still have met Ernest eventually at some party somewhere because while I wasn’t strictly BDSM oriented, I was into all kinds of sexual things. When I met BDSM I realized, “this is me too.” I would have found it sooner or later I think, even if I had not gotten into porn as a profession or met Ernest when I did.

I got into porn in Reagan’s America. HIV became big news around the time of the home video explosion. The silver lining of the HIV debacle was that we had to talk about sex in public. It simply had to be discussed as a public health crisis. I’m a nurse, so for me there’s no shame in desire, just responsibility in behavior. I don’t care what you want. I see a lot of people who are ashamed of their desires, but you want whatever you want. You can’t* do* whatever you want, but you can want whatever you want. As a sex worker I’ve declassed myself, and it’s been an eye-opener to put myself in the way of anti-sex-worker bigotry and ignorance. It’s clear to me that, no matter from which side of the ideological divide it comes, anti sex-worker energy feels exactly the same: angry, ignorant and fearful. In actual life it is discriminatory, judgmental, disrespectful and really, really mean spirited.

Dexx: And it seems like you’ve been in the forefront of publicly discussing your career in the industry.

Nina: I was the first woman in porn to say, “I’ll talk to the press, send them over to me!” I came to porn not just because that’s where the naked women were, but to study sex work from a place of practice, not theory. And porn’s full of naked ladies, so that was (and still is) a lot of fun. I call porn “all the fun of dating with none of the hassle.” I got willing partners without the burden of having to date and all the weird emotional stuff that goes with that. I didn’t want my desires to be a problem for other people, and up until I found my tribe of ethical non-monogamists, all my desires just upset the people I knew. As a board member of the Woodhull Freedom Alliance I affirm that sexual freedom is a fundamental human right.

Dexx: In the course of being so public about that, did you encounter some negativity from some places?

Nina: Oh certainly. I still do. I don’t look on the Internet for people to say mean things about me but I know they’re there. I know for every young woman who thinks I’m an amazing feminist and a great role model for her, a Gale Dines or Katherine McKinnon or Ariel Levy or Pamela Paul, will look at me as an apostate. I’ve been called names. I’ve been called a paid shill, and much worse. So, where’s my paycheck?

Ernest Greene: Where’s my check?!

Nina: (laughs) Women’s sexuality under an Abrahamic-based culture makes an out sex worker a lightning rod. I’ve often said that I make pornography because I’m too chicken shit to be a whore. Andrea Dworkin hated porn because she felt it showed all women as “whores by nature” and what I wanted to tell her was, not all women are whores by nature, “But some are” (she says while raising her hand). Women’s sexuality in cultures such as America’s is always political. We see it everyday. We see it in the fact that we still don’t have decriminalized sex work, we still see it in the way that abortion clinics are being taken out of existence and the way that sex workers are harassed, or worse.
Ernest Greene: If I can interrupt, that repressive attitude cuts across the logical lines. The position closest to the Republican party platform on sex work is that of the green party. Worth reading their platform to see what they have to say, but sex work – they don’t even like the term sex work, they still prefer “prostitution”.

Ernest Greene: They prefer “prostituted” because there’s no such thing as a “voluntary sex worker”. Or there’s such an insignificant part of it that they really don’t register, so most of them are prostituted women who are trafficked.

Nina: These women who absolutely would fight to the death for my right to have an abortion because I own my body are on the opposite side of the coin when it comes to my right to choose sex work. So wait, I can have an abortion, that’s my body, my right, and I’m not being brainwashed, but I can’t choose to be a sex worker because I’m brainwashed? It only goes to show that people’s resistance to individual sexual autonomy and freedom is not based on rationalities, it’s based on emotion. They make up stories and theories to make it okay for them to not check their own attitudes and prejudices, and while they get to stay in their prejudice and stay in their harmful attitudes, etc.

Dexx: So on the subject of non-monogamy it seems like that is something that is really on the rise. Certainly at least in terms of the people that we see. A lot more than it was 10 years ago.

Ernest Greene: It’s a thing.

Nina: He’s never had a non-dominant fantasy in his life, just as I’ve never had a monogamous fantasy in my life. I’ve always dreamt of other people. But more importantly, I always dreamt of it being okay with everybody. My first threesome was a complete, utter disaster. If I had a normal script, I would have said, “see, you don’t get to have that, you don’t get to have those fun things.” For me to have the life I wanted I had to get to the root of my jealousy and exorcise it because I wanted to make my fantasy life real. I wanted to live in a world where my desire for someone didn’t upset anyone else with whom I was sleeping. I wanted other people like me. I didn’t want to have to sit on my own desires and pretend to be normal because that proved to be a failure.

When Ernest and I started dating, besides the agreement to have a lot of hot BDSM sex together and for me to be his slave, we agreed we’d also be free to play with others. Once I had got free of my horrible exes I was sure I was so strange that I’d be single the rest of my life. Where was I going to find a het guy with great style, age- and culturally-appropriate, atheist, who was cool with my job, who wouldn’t slut shame me, whom I found sexy as fuck and who didn’t think he owned my sexuality, who was smart enough to seduce my mind as well as my body and who wouldn’t bore me sexually after three dates.

anniebear: That’s a lot of checkmarks.

Nina: That’s a lot of checks. You can see why I never thought I’d marry again.

anniebear: And the dungeon…

Nina: That was a bonus! Ernest is the only master I’ve ever had and the only lover who I’ve never tired of fucking. I know that the magic, ritual, respect, intentionality, romance and intimacy of BDSM sex is the secret to our relational success.That, plus the fact that we love to have threesomes with submissive women.

If anyone would like a glimpse of what sex at home might be like, check out Ernest’s book, “Master of O.” The sex is very explicit and I can tell you that all of it is taken from life. It’s a hot, fun read and the autographed, illustrated edition makes a great gift for any lover interested in BDSM sex.

Dexx: So, how did you first get into porn? Tell me about your first audition.

Nina: First, I discovered written pornography at the bedside of this Swingin’ 70s couple that I babysat for. Next to the (water) bed they had a small bookshelf with classics such as “Erotic Art of the Masters,” “The Pearl,” “Autobiography of a Flea,” “Fanny Hill,” “A Man and His Maid,” and stalwarts like “The Joy of Sex,” and “The Happy Hooker.” There was a used bookstore in Berkeley that had an erotic section I would come in and sit down and start reading the books, even though I was clearly underage. I paid attention to stories that interested me, and I didn’t understand at the time stories of corporal punishment and whipping. I knew I liked women’s bodies. Between school and home was an adult theatre in Berkley, and for the longest time there was a movie showing there called “Autobiography of a Flea.” I had read the book I wanted to see the movie. So one day I took it upon myself to walk into the theatre and see the movie, all by myself. I was 17. I sat in the middle of the theatre and in the middle of the first sex scene, my inner self said ‘me want do that.’ It was so primal I was surprised. I had barely kissed a boy at that age, I had never seen a naked boy. I’d seen very little hardcore pornography. I’d seen some underground comics that drew it, but never seen a photograph of an erection entering a vulva. And I just wanted to do that.

That was ’76. I met my first husband in ’81, went to nursing school. Ran into a friend who said she worked at the Sutter Street Cinema in San Francisco and I found out about this amateur night danced on stage with people watching. So I went, and I won, because I was clearly the only amateur. It was San Francisco, so I could do a penetration show. I won and I got a weekly job doing a girl/girl peep show, in a white room with a revolving bed. The mirrored peep windows had tip slots and I thought it was just awesome because I got to do girl/girl in room full of mirrors. I learned how to dance, how to present myself in an aesthetic way, but you could also look through and see guys masturbating, which was fantastic to me. I earned in a night what I’d get for a week of waitressing. I was going to school full-time so working just one night a week was optimal.

My then partner ran into Juliet Anderson at a nearby supermarket, recognized her, got her card, and we sent her pictures, and she put me in her one and only directorial effort called “Educating Nina.” So that was in ’84, and I graduated nursing school in ’85 and went into movies full time. My promise to myself was I’d never cut class to make a movie, and I never did. I knew that I was going to be talking about this and “Nina Hartley, RN,” has a lot more weight than “Nina Hartley. college drop out.” And of all the things I could have studied in college, nursing was the best thing to study, because it grounds you in basic biology and science, plus how to be effectively compassionate. I graduated nursing school in June of ’85 and I’ve been full time in adult entertainment ever since. I feature danced from ’87-2002, and then with Ernest I did the 40-volume educational series from Adam and Eve. From that we wrote the book “Nina Hartley’s Guide to Total Sex”.

He and I have also done a twenty-volume series for Bizarre Video, “Nina Hartley’s Private Sessions.” As well, I helped him direct three movies for Adam&Eve based on the “Story of O” books: “O: The Power of Submission,” “The Surrender of O, “ and “The Truth about O.” All are beautifully shot, all are filled with hot kink-sex and lots of bondage with penetration (something Ernest made safe for porn).

I speak whenever I can to anybody over 18. In the beginning, with people on planes saying, “What do you do?” I’d always say pornography, because it’s always a great out about it. Now, when people say, ‘what do you do,’ I say I’m an adult sex educator. A little bit broader and I let them ask questions.

anniebear: A little polarizing to some.

Ernest Greene: She certainly has had her battles, there’s no doubt about it. And she’s not a combative person, unlike me, that’s hard for her.

Nina: I really, really, really, really believe in that. A person has a right to do with their body what they want. Period.

Nina and her husband Earnest Greene
Nina and her husband Earnest Greene

Dexx: So now, you produce your own material for Nina.com?

Nina: I do. The Internet has completely changed the production landscape, the monetary landscape, and the relationship between the performer and fans. Nowadays, performers mostly who work for themselves. These days I get hired very rarely to do a scene for a company. But my friends and I get together all the time and exchange content. I like that because we really get to do whatever it is we want.

I don’t know what’s going to happen but I do like being able to deal directly with the fans. The Internet does make it possible for any individual person to create a sexual community for themselves. Because all any performer needs to live is 100 people in the entire world to give them $50 a month each. There are many ways now for performers to interact with fans to do all kinds of not-in-person sex work in real time.

Dexx: It’s pretty interesting because you hear about free porn on the internet kind of cutting the revenues of the porn industry.

Nina: It cuts the revenue of the producers. Sex is about relationships, so porn is about relationships. so you are my fan. I’m in your bedroom with you, in your relationship with you, with you at your loneliest or horniest moment, and I’m happy to be there. Between porn performers and fans it’s personal. I have fans who are my fans because of my ass, certainly, but because I remind them of their first grade teacher, or their first crush, or a sister in law they used to want to fuck.

Ernest Greene: Really, what happened here, by no one’s intention, was that the means of production reverted to the workers when the big companies could no longer make profits on DVD sales, they all just kind of folded up. So now, they attract a different kind of performer.

Nina: More self motivated, more self organized. More educated.

Ernest Greene: It used to be in the 90s everyone wanted to be Jenna Jameson, but now I think it’s sort of kind of gotten filtered out to the hinterlands that there will not be another Jenna Jameson because there’s no company to support that kind of thing, but you can have that kind of interesting bohemian life out here.

Nina: You can be in an Indie porno, or some kind of alt-porno. So the individual person, who doesn’t mind being his or her own boss, it’s possible to carve out a portion of the landscape for your brand of sexy. It’s still a little harder for men to make their way here, because unless you don’t mind having a large gay following, it’s hard to have a pay site..

Dexx: So Nina, more recently you’ve been doing more BDSM oriented work?

Nina: I have been. Because I no longer have a partner who shames me out of it. Actually I would have been working with Ernest back in the 80s if my exes hadn’t shamed me out of it. I’m doing it more because, I’m kinky, and with women I really like topping. I really like being the good lover I wish I’d met when I was their age.

Dexx: You must have worked with lots and lots of BDSM porn actors and actresses?

Nina: More actresses. I’m strictly a top on camera. Except with Ernest.

Dexx: What makes a really great porn actress to work with?

Nina: The most important thing for me in a performer is her desire to be on camera.
Ernest Greene: You gotta like it.

Nina: It’s not just liking sex, but liking sex that other people are going to watch later. So most of the women I work with are like me, huge exhibitionists and really love the attention. They love the camera being on them. I love showing them attention. I love stoking their desire to be pretty and sexy and have all the attention, because I like girls and seeing girls happy and having orgasms at my help really works for me. So I never, never tire of a woman who is happy to be there. Or men, either, but particularly in BDSM movies. If I’m in it, I’ll be topping women, or co-topping. I just started recently doing FemDom on camera, mainly it’s woman and woman.

Dexx: With the prevalence of so much BDSM porn, do you think there are issues of some actresses being coerced into BDSM even though they’re not really into it?

Ernest Greene: In this country? No. In other parts of the world, I can’t say. But I think here, no.

Nina: In our community, very little. The women talk a lot to each other and the concept of consent is really quite out there in the world. A 20 year old these days has more information than a 20 year old in the ‘80s.

Ernest Greene: Let me also say as a director, that there’s been a real change in the attitude of porn performers over the years. They used to come in here pretty much expecting that they would do what they were told. Now they come in here expecting to do what they want to do. So, woe betide the foolish director who tried to get someone to do something they didn’t want to do. They’re likely to get their heads bitten off right at the shoulders, which is fine by me. I never had the problem because I always say what do you want to do and who do you want to do it with? Because that makes a hot scene. One of the things that directors do that’s stupid is say, well,I think these two people look good together so I’m going to put them together, but what you don’t know is they used to be an item but they broke up and hate each other’s guts. But they need the money so they agree to do the scene. Nah, you don’t want that scene. That’s a scene you don’t want to see.

Nina: Most of the time the directors who are sleezy that way, word does get around in a way it didn’t used to back in the studio system days. The director could threaten someone with the “you’ll never work in this town again” schtick and she couldn’t know that actually wasn’t possible.

Ernest Greene: It was never possible.

Nina: Now it’s impossible. You cannot prevent me from getting work from somewhere else. You may never hire me again, but you cannot prevent me from getting hired by somebody else.

Ernest Greene: The very fact that they won’t hire you might make the other person want to hire you.

Nina: So that part’s different.

Ernest Greene: There were things about the old system that I liked, from the production side, mainly the fact that we had enough money to do it… this is what’s sad about it. A lot of you have really good ideas but you don’t have 100 thousand dollars.

Nina: Or even 50K. We have donated labor and 5 hours.

Ernest: And one place, one room. Whereas, I used to have, as I said, 100 thousand dollars, houses, and things like that. I happen to like luxury porn.

Nina: If I won the lottery, I’m making bon bon porn till the day I die.

Dexx: Bon bon porn? (laughs)

Nina: Costumes, sex, script, rehearsals, music.

Ernest: Luxury porn is just not a thing at this point. Now someday there may be, it may come back.

Dexx: Funnily enough, there was a scene in Boogie Nights in which you had a role. (laughs)

Nina: Yeah.

Dexx: So how was it working on that movie?

Nina: It was honestly great. First, William H Macy is the world’s nicest man. He was a decent human being, treated me like a fellow professional, like a peer. Paul Thomas Anderson was a very good director, he knew exactly what he wanted. He never yelled, he was always very clear, and what really pissed me off though is that I had two big walking-talking scenes with Macy going to and from the party where I’m fucking in the driveway.

Dexx: I remember that.

Nina: I mean, we did a tracking shot, walking two-shot, 17 takes, each of them a little bit different and I thought, “oh wow he must really want this.” In the end all of the character building stuff was left out, which sucked. Making mainstream movies is like a porno shoot, only bigger. I was absolutely comfortable because a movie set is a movie set. During the last scene where I get shot with some squibs, I had to go to the make up trailer between takes. And all the time I had to remember, “Put on robe, put on robe, put on robe.” I mean, for me being naked is my work clothes. But for other people might perceive it as being challenging..

Paul Thomas Andersen hired me partly because he was a fan when he was in high school, but also because he wouldn’t have to close the set or worry about my emotional well-being.

anniebear: Have a discussion…

Nina: Have a discussion. So that part was great.

anniebear: That was kind of why they hired porn actresses for Game of Thrones recently.

Ernest: Yeah, sure, because they can get naked without worrying about it.

anniebear: Yeah, there’s a couple of them. And they’re great, and they look great, and they were good actresses. (laughs)

Nina: You know a lot of them are actually, we could be good actresses with a good director. I always have my ideas but I like being directed. If you want me to say it a different way, I’ll say it a different way.

Ernest: Absolutely. It can be good.

Dexx: There’s a pretty strong network of ProDommes in Southern California. Are you part of that world at all?

Nina: Oddly enough, I’ve never worked aa a ProDomme, but I should because I really like it.

anniebear: I think people in the LA scene think you are.

Nina: I do know if I guested at Sanctuary LAX I would probably talk to Mistress Cyan about it. I’m a sensual dominant. If you’re masochistic, I’ll hurt you as much as you want and 2 for me. I don’t need tears, I don’t need fear, I’m a good service top and I’m not afraid to hurt you. I clearly have a lot to learn, in terms of sessioning, because I don’t usually play with submissive men. And submissive women and submissive men are not the same.

Ernest: Right.

Nina: The gender thing makes a difference. And so when it comes to ProDoming, I’m a baby ProDom. I’m an experienced top, but I know nothing about rope. I’d like to develop that side of my skill set. What I’ve done so far has been fun so I’m not against doing it.

Ernest: It’s not out of the question.

Nina is still active in the porn industry as an actress and producer. You can see more at Nina.com.
Follow her on Twitter: @ninaland. Nina is a board member of the Woodhull Alliance. Find out more: woodhullfoundation.org

Tagged With: ernest greene, interview, Nina Hartley

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